"Mass in G Major, Gloria: VIII. Qui tollis peccata mundi" by Johann Friedrich Fasch, Veronika Winter, David Erler, Tobias Hunger, Matthias Vieweg, Rheinische Kantorei, Das Kleine Konzert, Hermann Max was released on November 2, 2018. The duration of Mass in G Major, Gloria: VIII. Qui tollis peccata mundi is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Mass in G Major, Gloria: VIII. Qui tollis peccata mundi's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 35 in Fasch: Mass in G Major, Overture in A Major, & Ich danke dem Herrn von ganzem Herzen by Johann Friedrich Fasch, Das Kleine Konzert, Hermann Max. The popularity of Mass in G Major, Gloria: VIII. Qui tollis peccata mundi is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in G Major, Gloria: VIII. Qui tollis peccata mundi by Johann Friedrich Fasch, Veronika Winter, David Erler, Tobias Hunger, Matthias Vieweg, Rheinische Kantorei, Das Kleine Konzert, Hermann Max is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata à 3 in D Major, Op. 1 No. 12 | Arcangelo Corelli, London Baroque | B♭ Minor | 1 | 3A | 102 BPM | ||
Concerto Grosso in D Major, RV 562a: III. Allegro | Antonio Vivaldi, Modo Antiquo, Federico Maria Sardelli | E Major | 1 | 12B | 119 BPM | ||
Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
Abdelazar Suite, Z. 570: IV. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Concerto for Trumpet and 2 Oboes in D Major: II. Largo | Johann Friedrich Fasch, Reinhold Friedrich, Lajos Lencsés, Laszlo Parkanyi, Aladar Tuske, Budapest Strings | E Major | 0 | 12B | 130 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VII. Menuet I - II | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 0 | 6A | 107 BPM | ||
Flute Concerto in G Major: II. Cantabile | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | G Major | 0 | 9B | 100 BPM | ||
Symphony No. 4 in C Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Major | 1 | 1B | 124 BPM | ||
Recorder Sonata No. 12 in G Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | B Minor | 0 | 10A | 97 BPM |
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