"Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30b, Apotheosis" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on January 1, 1974. The duration of Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30b, Apotheosis is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30b, Apotheosis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #31. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30b, Apotheosis is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30b, Apotheosis by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 1: Cinderella's Departure for the Ball | Sergei Prokofiev, André Previn, London Symphony Orchestra | G Major | 2 | 9B | 184 BPM | ||
Carnival of the Animals, R. 125: Aviary | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | F Major | 1 | 7B | 162 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Voices of Spring, Op. 410 | Johann Strauss II, Leonard Bernstein | B♭ Major | 2 | 6B | 110 BPM | ||
Paquita: Variation 2: Tempo di valse (by Pouni) | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E Major | 1 | 12B | 88 BPM | ||
La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM | ||
Giselle: No. 5 - Allegro | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | D Major | 1 | 10B | 113 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 9, Wedding March | Felix Mendelssohn, André Previn, London Symphony Orchestra | F Major | 1 | 7B | 79 BPM | ||
Sylvia: Act III: Divertissement: Pizzicati | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 127 BPM |
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