"I due Foscari / Act 1: "Dal più remoto esilio...Odio solo, ed odio atroce"" by Giuseppe Verdi, José Carreras, Antoniak Mieczyslaw, Vienna Radio Symphony Orchestra, Lamberto Gardelli was released on January 11, 2022. With this song being about 5 minutes long, at 5:00, "I due Foscari / Act 1: "Dal più remoto esilio...Odio solo, ed odio atroce"" by Giuseppe Verdi, José Carreras, Antoniak Mieczyslaw, Vienna Radio Symphony Orchestra, Lamberto Gardelli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi Opera by Giuseppe Verdi, Various Artists. The song's track number on the album is #40 out of 58 tracks. Based on our statistics, I due Foscari / Act 1: "Dal più remoto esilio...Odio solo, ed odio atroce"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since I due Foscari / Act 1: "Dal più remoto esilio...Odio solo, ed odio atroce" by Giuseppe Verdi, José Carreras, Antoniak Mieczyslaw, Vienna Radio Symphony Orchestra, Lamberto Gardelli has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With I due Foscari / Act 1: "Dal più remoto esilio...Odio solo, ed odio atroce" being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Puccini: Turandot, Act 3: "Nessun dorma" (Calaf) | Giacomo Puccini, Plácido Domingo, Nello Santi, Orchester der Deutschen Oper Berlin | D Major | 4 | 10B | 134 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM |
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