George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood's 'Messiah, HWV 56 / Pt. 2: 44. Hallelujah' came out on January 1, 1980. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Judith Nelson, Emma Kirkby, Carolyn Watkinson, Paul Elliott, David Thomas, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood's "Handel: Messiah" album is number 14 out of 37. In terms of popularity, Messiah, HWV 56 / Pt. 2: 44. Hallelujah is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Messiah, HWV 56 / Pt. 2: 44. Hallelujah by George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canon and Gigue in D Major, P. 37 | Johann Pachelbel, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 79 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 80 BPM | ||
Mozart: Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Kölner Kammerchor/Collegium Cartusianum/Peter Neumann, Christoph Prégardien, Diana Montague, Franz-Josef Selig, Kölner Kammerchor, Michael Chance, Peter Neumann, Collegium Cartusianum | D Major | 1 | 10B | 78 BPM | ||
Messiah, HWV 56: Part II: Hallelujah! (Chorus) | George Frideric Handel, The Scholars Baroque Ensemble | D♭ Major | 2 | 3B | 95 BPM | ||
Coronation Anthem No. 1, HWV 258 "Zadok the Priest” | George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 2 | 3B | 97 BPM | ||
The Prince Of Denmark's March | Jeremiah Clarke, Simon Preston | D Major | 1 | 10B | 73 BPM | ||
Samson HWV57: Let the bright Seraphim | George Frideric Handel, John Milton, Newburgh Hamilton, Alison Balsom, English National Opera Orchestra | D Major | 1 | 10B | 110 BPM | ||
Te Deum | Marc-Antoine Charpentier, Noel Rawsthorne | D Major | 3 | 10B | 71 BPM | ||
Symphony in A, H.I No. 14: 2. Andante | Joseph Haydn, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 73 BPM | ||
Fauré: Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Michel Corboz, Ensemble Instrumental de Lausanne, Ensemble Vocal de Lausanne, Magali Dami | G Major | 0 | 9B | 109 BPM |
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