Eberhard Wächter, Dietrich Fischer-Dieskau, Hans Hotter, Elisabeth Schwarzkopf, Nicolai Gedda, Philharmonia Orchestra, Wolfgang Sawallisch made "Capriccio, Op. 85, TrV 279, Scène 3: "Da ist sie! Ich eile, sie zu begrüssen! ... Melpomenens Priesterin, die göttliche Clairon!" (Count, Olivier, La Roche, Countess, Flamand)" available on June 1, 2016. The duration of Capriccio, Op. 85, TrV 279, Scène 3: "Da ist sie! Ich eile, sie zu begrüssen! ... Melpomenens Priesterin, die göttliche Clairon!" (Count, Olivier, La Roche, Countess, Flamand) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Capriccio, Op. 85, TrV 279, Scène 3: "Da ist sie! Ich eile, sie zu begrüssen! ... Melpomenens Priesterin, die göttliche Clairon!" (Count, Olivier, La Roche, Countess, Flamand)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 248 in the song's album "Richard Strauss: Les grands opéras - La discothèque idéale de Diapason, Vol. 7". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Based on our statistics, Capriccio, Op. 85, TrV 279, Scène 3: "Da ist sie! Ich eile, sie zu begrüssen! ... Melpomenens Priesterin, die göttliche Clairon!" (Count, Olivier, La Roche, Countess, Flamand)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Capriccio, Op. 85, TrV 279, Scène 3: "Da ist sie! Ich eile, sie zu begrüssen! ... Melpomenens Priesterin, die göttliche Clairon!" (Count, Olivier, La Roche, Countess, Flamand) by Eberhard Wächter, Dietrich Fischer-Dieskau, Hans Hotter, Elisabeth Schwarzkopf, Nicolai Gedda, Philharmonia Orchestra, Wolfgang Sawallisch having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act One | Giuseppe Taddei, Dame Joan Sutherland, Luigi Alva, Elisabeth Schwarzkopf, Eberhard Wächter, Carlo Maria Giulini, Philharmonia Orchestra | F♯ Major | 0 | 2B | 128 BPM | ||
Die Fledermaus, Act I | Hilde Gueden, Erika Köth, Eberhard Wächter, Regina Resnik, Erich Kunz, Waldemar Kmentt, Vienna Philharmonic, Herbert von Karajan, Walter Berry, Peter Klein | F Major | 4 | 7B | 64 BPM | ||
Tannhauser: Act III: Begluckt darf nun dich, o Heimat, ich schauen (Elisabeth) | Richard Wagner, Karl Liebl, Gré Brouwenstijn, Deszo Ernster, Eberhard Wächter, Murray Dickie, Walter Brunelli, Alois Pernerstorfer, Peter Harrower, Herta Wilfert, Rosl Schweiger, RAI Chorus, Rome, RAI Symphony Orchestra, Rome, Artur Rodzinski | D Minor | 5 | 7A | 129 BPM | ||
Götterdämmerung, WWV 86D / Erster Aufzug: "Nun hör, Hagen, sage mir, Held" | Richard Wagner, Gundula Janowitz, Thomas Stewart, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 79 BPM | ||
Macbeth / Act II: Aria: "La luce langue" | Giuseppe Verdi, Shirley Verrett, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B Major | 1 | 1B | 81 BPM | ||
Symphony No. 8, Zweiter Teil: VII. Ewiger Wonnebrand | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, David Wilson-Johnson | A♭ Major | 2 | 4B | 74 BPM | ||
La Traviata / Act 2: "Alfredo?" - "Per Parigi or or partiva" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Walter Gullino, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | C Major | 1 | 8B | 173 BPM | ||
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Ze nevis, co mamé? | Leoš Janáček, Zuzana Hudecova, Eva Hribkova, Lucia Popp, Eva Zigmundova, Wiener Philharmoniker, Sir Charles Mackerras | F♯ Major | 2 | 2B | 138 BPM | ||
Tannhäuser, WWV 70 / Act II: "Versammelt sind aus meinen Landen" | Richard Wagner, Josef Greindl, Eberhard Wächter, Gerhard Stolze, Franz Crass, Georg Paskuda, Gerd Nienstedt, Anja Silja, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch | F Major | 4 | 7B | 114 BPM | ||
Tristan und Isolde, WWV 90 / Act 1: "Frisch weht der Wind der Heimat zu" | Richard Wagner, Birgit Nilsson, Christa Ludwig, Peter Schreier, Wolfgang Windgassen, Eberhard Waechter, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm | C Major | 1 | 8B | 78 BPM |
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