Jascha Heifetz, Claude Debussy, Lucio Degani, Andrea Rucli's 'Children's Corner: VI. Golliwogg's Cake-walk (arr. J. Heifetz for violin and piano)' came out on October 7, 2014. The duration of Children's Corner: VI. Golliwogg's Cake-walk (arr. J. Heifetz for violin and piano) is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Children's Corner: VI. Golliwogg's Cake-walk (arr. J. Heifetz for violin and piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 18 in A War Concert: Transcriptions by Jascha Heifetz by Jascha Heifetz, Lucio Degani. In terms of popularity, Children's Corner: VI. Golliwogg's Cake-walk (arr. J. Heifetz for violin and piano) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Children's Corner: VI. Golliwogg's Cake-walk (arr. J. Heifetz for violin and piano) by Jascha Heifetz, Claude Debussy, Lucio Degani, Andrea Rucli is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Wieniawski: Violin Concerto No. 2 in D Minor, Op. 22: II. Romance. Allegro non troppo | Henryk Wieniawski, Sir John Barbirolli, Jascha Heifetz, London Philharmonic Orchestra | B♭ Major | 2 | 6B | 109 BPM | ||
Caprice No. 20 in D - 1990 Remastered | Niccolò Paganini, Jascha Heifetz | E♭ Major | 1 | 5B | 63 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
3 Preludes For Piano Solo: 2. Andante con moto e poco rubato | George Gershwin, Jascha Heifetz, Emanuel Bay | F♯ Major | 1 | 2B | 97 BPM | ||
Hebrew Melody, Op. 33 | Joseph Achron, Jascha Heifetz | A Minor | 2 | 8A | 139 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Jascha Heifetz, Sir Malcolm Sargent | E Minor | 0 | 9A | 96 BPM | ||
Sonata No. 1, BWV 1001, in G Minor: Presto | Johann Sebastian Bach, Jascha Heifetz | G Minor | 2 | 6A | 125 BPM | ||
Octet, Op. 20, in E-Flat: Allegro moderato ma con fuoco | Felix Mendelssohn, Jascha Heifetz, Israel Baker, Arnold Belnick, Joseph Stepansky, William Primrose, Virginia Majewski, Gregor Piatigorsky, Gabor Rejto | D Major | 0 | 10B | 170 BPM | ||
Violin Concerto No. 1 In D Major, Op. 19: 2. Scherzo. Vivacissimo | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 2 | 8A | 145 BPM |
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