"Nabucco: Pt. II: The Blasphemy: Finale. But what means This disturbance? (Fenena, Ismael, Zachariah, Levites, Abdullah, High Priest, Abigail, Nabucco) [Sung in English]" by Giuseppe Verdi, Alan Opie, Orchestra of Opera North, David Parry, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson, Paul Wade, Camilla Roberts, Opera North Chorus was released on January 1, 2006. With Nabucco: Pt. II: The Blasphemy: Finale. But what means This disturbance? (Fenena, Ismael, Zachariah, Levites, Abdullah, High Priest, Abigail, Nabucco) [Sung in English] being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Nabucco (Sung in English) by Giuseppe Verdi, Alan Opie. The song's track number on the album is #25 out of 46 tracks. Nabucco: Pt. II: The Blasphemy: Finale. But what means This disturbance? (Fenena, Ismael, Zachariah, Levites, Abdullah, High Priest, Abigail, Nabucco) [Sung in English] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nabucco: Pt. II: The Blasphemy: Finale. But what means This disturbance? (Fenena, Ismael, Zachariah, Levites, Abdullah, High Priest, Abigail, Nabucco) [Sung in English] by Giuseppe Verdi, Alan Opie, Orchestra of Opera North, David Parry, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson, Paul Wade, Camilla Roberts, Opera North Chorus has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nabucco: Pt. II: The Blasphemy: Finale. But what means This disturbance? (Fenena, Ismael, Zachariah, Levites, Abdullah, High Priest, Abigail, Nabucco) [Sung in English] being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
Die Walkure, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | G Major | 2 | 9B | 90 BPM | ||
'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 1 | 4B | 75 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Don Carlo / Act 2: "Dio, che nell'alma infodere" | Giuseppe Verdi, Carlo Bergonzi, Dietrich Fischer-Dieskau, Tugomir Franc, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | G Major | 2 | 9B | 129 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM |
Section: 0.6877200603485107
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