Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt's '" Faust " , Ballettmusik: Nr. 7 Allegro vivo' came out on September 28, 1998. The duration of " Faust " , Ballettmusik: Nr. 7 Allegro vivo is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. " Faust " , Ballettmusik: Nr. 7 Allegro vivo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Smetana: " Die Moldau " - Dvorák: Slawischer Tanz Nr. 10, Op. 72 - Gounod: Ballettmusik aus " Faust " - Adam: Ouvertüre zu " Wenn ich König wär "". In this album, this song's track order is #9. " Faust " , Ballettmusik: Nr. 7 Allegro vivo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With " Faust " , Ballettmusik: Nr. 7 Allegro vivo by Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestersuite in D Major, BWV 1068: II. Air | Slovak Philharmonic, Bohdan Warchal | D Major | 2 | 10B | 114 BPM | ||
Rage Over A Lost Penny (Rondo A Capiriccia Op. 129) | The Jane Austen Era | G Major | 2 | 9B | 153 BPM | ||
Water Music Suite No. 2 in D Major, HV 349: II. Alla Hornpipe | George Frideric Handel, Slovac Chamber Orchestra, Bohdan Warchal | A♭ Major | 1 | 4B | 128 BPM | ||
Vivaldi: The Four Seasons, Spring 1st mov. Allegro | CHA Medical Center | E Major | 2 | 12B | 106 BPM | ||
Thaïs: Méditation | London Philharmonic Orchestra, Pieter Schoeman | D Major | 2 | 10B | 124 BPM | ||
Bach: Cello Suite No.1 In G Major BWV 1007 - 1. Prelude | CHA Medical Center | G Major | 1 | 9B | 80 BPM | ||
Sonata in D Major, Kk.430 | Domenico Scarlatti, Alexandre Tharaud | D Major | 2 | 10B | 200 BPM | ||
Ave Maria (after J.S. Bach) | London Philharmonic Orchestra | G Major | 2 | 9B | 89 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : II. Adagio cantabile | Wolf Rottmann | A♭ Major | 0 | 4B | 173 BPM |
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