"Cavalleria Rusticana (1987 - Remaster): Preludio - conclusion (Orchestra)" by Pietro Mascagni, Riccardo Muti, Philharmonia Orchestra was released on 1979. The duration of Cavalleria Rusticana (1987 - Remaster): Preludio - conclusion (Orchestra) is about 3 minutes long, at 3:15. Based on our data, "Cavalleria Rusticana (1987 - Remaster): Preludio - conclusion (Orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 3 out of 44. In terms of popularity, Cavalleria Rusticana (1987 - Remaster): Preludio - conclusion (Orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria Rusticana (1987 - Remaster): Preludio - conclusion (Orchestra) by Pietro Mascagni, Riccardo Muti, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana, Scene 11: Mamma, quel vino è generoso | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F♯ Minor | 2 | 11A | 82 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato (Excerpt) | Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra | A Minor | 1 | 8A | 81 BPM | ||
Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | D Minor | 1 | 7A | 92 BPM | ||
Swan Lake, Op. 20 | Tim Fain, Robert Koenig | F♯ Minor | 2 | 11A | 85 BPM | ||
2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio | Johan Svendsen, Bournemouth Sinfonietta, Richard Studt | E Minor | 1 | 9A | 92 BPM | ||
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, SWR Symphony Orchestra, Michael Gielen | D Major | 1 | 10B | 107 BPM | ||
String Quartet in F Major, Op. 3, No. 5, Hob. III:17: II. Andante cantabile | Roman Hoffstetter, Tchaikovsky Chamber Orchestra, Lazar Gosman | C Major | 1 | 8B | 104 BPM |
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