"Lohengrin: Act 3 Prelude and Lohengrin Bridal Chorus" by Bulgarian National Chorus, Sofia Philharmonic Orchestra was released on March 1, 2014. Since Lohengrin: Act 3 Prelude and Lohengrin Bridal Chorus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Magic of the Opera" album is number 30 out of 46. Lohengrin: Act 3 Prelude and Lohengrin Bridal Chorus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lohengrin: Act 3 Prelude and Lohengrin Bridal Chorus by Bulgarian National Chorus, Sofia Philharmonic Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles: Je frémis, je chancelle (Leïla, Zurga) | Georges Bizet, Janine Micheau/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | C Minor | 2 | 5A | 71 BPM | ||
Lucia of Lammermoor, Part II. Act I Scene 2: Come here to me, Lucia (Enrico) | Gaetano Donizetti, David Parry, Philharmonia Orchestra, Alan Opie | E Major | 0 | 12B | 129 BPM | ||
La vestale, Act II: Récit. Du plus auguste ministère | Gaspare Spontini, Aude Extrémo, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM | ||
5. Buon' giorno, signorine! | Arthur Sullivan, Thomas Round, Alan Styler, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | D♭ Major | 7 | 3B | 204 BPM | ||
Te Deum: Tu Rex gloriae Christie | Georges Bizet, Angela Maria Blasi, Christian Elsner, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf Zöbeley | F Major | 1 | 7B | 112 BPM | ||
Clos ta paupière | Charles Gounod, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: "Zázrak!" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Ladislav Elgr, Claire Barnett-Jones, Pavlo Hunka | A♭ Major | 1 | 4B | 91 BPM | ||
Gounod : Faust : Act 1 "Me Voici!" [Faust, Méphistophélès] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | B Major | 1 | 1B | 106 BPM | ||
Die Fledermaus: Act I: Taubchen, das entflattert ist (Adele, Alfred) | Johann Strauss II, Chen Reiss, Rainer Trost, Cologne West German Radio Orchestra, Friedrich Haider | A Major | 1 | 11B | 99 BPM | ||
Te Deum, WAB 45: 5. In te, Domine, speravi | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Major | 2 | 8B | 96 BPM |
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