On 1989, the song "Huit Fugues, FK 31: VI. 6e Fugue en mi mineur" was released by Wilhelm Friedemann Bach, Christophe Rousset. The duration of Huit Fugues, FK 31: VI. 6e Fugue en mi mineur is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Huit Fugues, FK 31: VI. 6e Fugue en mi mineur's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wilhelm Friedemann Bach: Œuvres pour clavecin by Wilhelm Friedemann Bach, Christophe Rousset. The song's track number on the album is #17 out of 22 tracks. In terms of popularity, Huit Fugues, FK 31: VI. 6e Fugue en mi mineur is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Huit Fugues, FK 31: VI. 6e Fugue en mi mineur by Wilhelm Friedemann Bach, Christophe Rousset has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Huit Fugues, FK 31: VI. 6e Fugue en mi mineur being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
The music key of this track is E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Es ist eine Stimme eines Predigers, Fk. 89: Chorus: Es ist eine Stimme eines Predigers in der Wuste | Wilhelm Friedemann Bach, Barbara Schlick, Claudia Schubert, Wilfried Jochens, Stephan Schreckenberger, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | D♭ Major | 1 | 3B | 132 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
La Muse-Plantine: 19ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | D Minor | 1 | 7A | 126 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Concerto In D Major, TWV 40:202 For 4 Violins Without Basso Continuo: 4. Allegro | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | D♭ Major | 1 | 3B | 129 BPM | ||
Flute Sonata in E Minor, Op. 5, No. 8: II. Allemanda: Allegro | Arcangelo Corelli, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D Minor | 2 | 7A | 128 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": III. Tempo di Menuetto | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 99 BPM |
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