Arthur Sullivan, Jean Hindmarsh, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey made "H.M.S.Pinafore: Never mind the why and wherefore" available on January 1, 1973. The duration of H.M.S.Pinafore: Never mind the why and wherefore is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. H.M.S.Pinafore: Never mind the why and wherefore's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The World of Gilbert & Sullivan". In this album, this song's track order is #3. Based on our statistics, H.M.S.Pinafore: Never mind the why and wherefore's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With H.M.S.Pinafore: Never mind the why and wherefore by Arthur Sullivan, Jean Hindmarsh, John Reed, Jeffrey Skitch, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore, Act I: "Benedette queste carte!" | Gaetano Donizetti, Kathleen Battle, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 102 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: "Non so più...Ah, son perduto!" | Wolfgang Amadeus Mozart, Frederica von Stade, Lucia Popp, Thomas Allen, Robert Tear, London Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 1 | 5B | 137 BPM | ||
Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Minor | 3 | 5A | 112 BPM | ||
Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
Kaiserwalzer, Op. 437 - Remastered 2024 | Johann Strauss II, The New Symphony Orchestra Of London, Josef Krips | B♭ Major | 1 | 6B | 77 BPM | ||
26. From ev'ry kind of man Obedience I expect | Arthur Sullivan, Lyndsie Holland, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 80 BPM | ||
The Mikado: Three Little Maids | Jean Rigby, Lesley Garrett, Susan Bullock | E♭ Major | 2 | 5B | 109 BPM | ||
Annen-Polka, Op. 117 - Remastered 2024 | Johann Strauss II, The New Symphony Orchestra Of London, Josef Krips | B♭ Major | 1 | 6B | 77 BPM | ||
Trial by Jury: When First My Old, Old Love I Knew | Gilbert & Sullivan Society of Houston | D Major | 2 | 10B | 77 BPM | ||
Les diamants de la couronne: Overture | Daniel Auber, The New Symphony Orchestra Of London, Raymond Agoult | C Major | 2 | 8B | 134 BPM |
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