Requiem de Mozart: Lacrimosa
Wolfgang Amadeus Mozart, Claire-Marie Le Guay
Mozart Piano
3:35 October 25, 2020
BPM
97
Key
D Minor
Camelot
7A

Embed

Share Link

Requiem de Mozart: Lacrimosa - Wolfgang Amadeus Mozart, Claire-Marie Le Guay Information

Acousticness
99%
Danceability
46%
Energy
4%
Instrumentalness
93%
Liveness
8%
Loudness
64%
Speechiness
5%
Valence
4%
Popularity
Loudness
-21.829 dB

Summary

"Requiem de Mozart: Lacrimosa" by Wolfgang Amadeus Mozart, Claire-Marie Le Guay was released on October 25, 2020. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart's "Mozart Piano" album is number 75 out of 75. On top of that, France appears to be the country where this track was created. In terms of popularity, Requiem de Mozart: Lacrimosa is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Requiem de Mozart: Lacrimosa BPM

We consider the tempo marking of Requiem de Mozart: Lacrimosa by Wolfgang Amadeus Mozart, Claire-Marie Le Guay to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Requiem de Mozart: Lacrimosa Key

The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto for Strings in A Minor, RV 161: I. Allegro by Antonio Vivaldi, Accademia I Filarmonici, Alberto MartiniConcerto for Strings in A Minor, RV 161: I. AllegroAntonio Vivaldi, Accademia I Filarmonici, Alberto MartiniB♭ Major56B124 BPM
Mozart: Requiem in D Minor, K. 626: V. Rex tremendae by Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Nikolaus Harnoncourt, Concentus Musicus WienMozart: Requiem in D Minor, K. 626: V. Rex tremendaeWolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Nikolaus Harnoncourt, Concentus Musicus WienB Major11B86 BPM
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato by Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderatoCarl Maria von Weber, Nino Gvetadze, Frederieke SaeijsD Minor17A112 BPM
Nocturne No.4 In F, Op.15 No.1 by Frédéric Chopin, Maurizio PolliniNocturne No.4 In F, Op.15 No.1Frédéric Chopin, Maurizio PolliniF Major07B132 BPM
Mozart: Requiem in D Minor, K. 626: I. Introitus by Wolfgang Amadeus Mozart, Michel Corboz, Efrat Ben Nun, Ensemble Vocal de Lausanne, Orchestre de Chambre de GenèveMozart: Requiem in D Minor, K. 626: I. IntroitusWolfgang Amadeus Mozart, Michel Corboz, Efrat Ben Nun, Ensemble Vocal de Lausanne, Orchestre de Chambre de GenèveG Major09B109 BPM
Rondo in D Minor, Wq. 61/4, H. 290 by Carl Philipp Emanuel Bach, Christopher HinterhuberRondo in D Minor, Wq. 61/4, H. 290Carl Philipp Emanuel Bach, Christopher HinterhuberB♭ Major16B135 BPM
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act II No. 12: Arietta - Voi, che sapete by Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael HalaszDie Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act II No. 12: Arietta - Voi, che sapeteWolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael HalaszB♭ Major16B118 BPM
Violin Concerto No. 5 in A Major, K. 219: II. Adagio by Wolfgang Amadeus Mozart, Joseph Joachim, Ossip Schnirlin, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von KarajanViolin Concerto No. 5 in A Major, K. 219: II. AdagioWolfgang Amadeus Mozart, Joseph Joachim, Ossip Schnirlin, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von KarajanE Major212B102 BPM
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus by Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. BretznerDie Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final ChorusSlovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. BretznerD Minor47A72 BPM
Der Stein der Weisen, Act I: Overture by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin PearlmanDer Stein der Weisen, Act I: OvertureWolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin PearlmanD♭ Major13B90 BPM
ISRC
FRUM70600316
Label
L-M Records/RCA Records

Section: 0.627044677734375

End: 0.6329469680786133