"Labyrinth of Love: Oh, come to me in dreams, my Love!" by Michael Daugherty, University of Michigan Symphony Band, Hila Plitmann, Michael Haithcock was released on November 10, 2016. With this song being about 5 minutes long, at 4:37, "Labyrinth of Love: Oh, come to me in dreams, my Love!" by Michael Daugherty, University of Michigan Symphony Band, Hila Plitmann, Michael Haithcock is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Poetics". In this album, this song's track order is #14. Based on our statistics, Labyrinth of Love: Oh, come to me in dreams, my Love!'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Labyrinth of Love: Oh, come to me in dreams, my Love! by Michael Daugherty, University of Michigan Symphony Band, Hila Plitmann, Michael Haithcock having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite of Old American Dances: IV. Wallflower Waltz | Robert Russell Bennett, Cincinnati Wind Symphony, Eugene Migliaro Corporon | F Major | 0 | 7B | 69 BPM | ||
Danserye: I. La Morisque | Tylman Susato, Patrick Dunnigan, The University of Texas Wind Ensemble, Jerry Junkin | C Major | 3 | 8B | 178 BPM | ||
Downey Overture | Oscar Navarro, North Texas Wind Symphony, Eugene Migliaro Corporon | G Major | 3 | 9B | 130 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - The Augurs of Spring (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | F Minor | 4 | 4A | 109 BPM | ||
Wood Music - Concerto pour quintette à vent et orchestre | Olivier Calmel, Scoring Orchestra, Aurélien Azan Zielinski, Mayu Sato-Brémaud, Annelise Clément, Baptiste Gibier, Cyril Normand, Frank Sibold | B Major | 0 | 1B | 67 BPM | ||
Variations on a Korean Folk Song | US Army Field Band and Soldiers' Chorus | D♭ Major | 0 | 3B | 68 BPM | ||
Sunset Strip: I. 7 PM | Michael Daugherty, Paul Randall, Timothy Stewart, North Carolina Symphony Orchestra, Grant Llewellyn | C Minor | 2 | 5A | 154 BPM | ||
Metropolis Symphony: I. Lex | Michael Daugherty, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Giancarlo Guerrero | F Major | 3 | 7B | 94 BPM | ||
This Land Sings (Inspired by the Life and Times of Woody Guthrie): No. 2, The Ghost and Will of Joe Hill | Michael Daugherty, Annika Socolofsky, John Daugherty, Dogs of Desire, David Alan Miller | A Minor | 2 | 8A | 171 BPM | ||
2nd Suite for Military Band in F Major, Op. 28 No. 2, H. 106: I. March | Gustav Holst, Dallas Wind Symphony, Howard Dunn | F Major | 1 | 7B | 130 BPM |
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