Labyrinth of Love: Oh, come to me in dreams, my Love!
Michael Daugherty, University of Michigan Symphony Band, Hila Plitmann, Michael Haithcock
Poetics
4:37 November 10, 2016
BPM
129
Key
B Minor
Camelot
10A

Embed

Share Link

Labyrinth of Love: Oh, come to me in dreams, my Love! - Michael Daugherty, University of Michigan Symphony Band, Hila Plitmann, Michael Haithcock Information

Acousticness
98%
Danceability
38%
Energy
10%
Instrumentalness
5%
Liveness
9%
Loudness
67%
Speechiness
4%
Valence
13%
Popularity
Loudness
-20.014 dB

Summary

"Labyrinth of Love: Oh, come to me in dreams, my Love!" by Michael Daugherty, University of Michigan Symphony Band, Hila Plitmann, Michael Haithcock was released on November 10, 2016. With this song being about 5 minutes long, at 4:37, "Labyrinth of Love: Oh, come to me in dreams, my Love!" by Michael Daugherty, University of Michigan Symphony Band, Hila Plitmann, Michael Haithcock is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Poetics". In this album, this song's track order is #14. Based on our statistics, Labyrinth of Love: Oh, come to me in dreams, my Love!'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Labyrinth of Love: Oh, come to me in dreams, my Love! BPM

With Labyrinth of Love: Oh, come to me in dreams, my Love! by Michael Daugherty, University of Michigan Symphony Band, Hila Plitmann, Michael Haithcock having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Labyrinth of Love: Oh, come to me in dreams, my Love! Key

This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Suite of Old American Dances: IV. Wallflower Waltz by Robert Russell Bennett, Cincinnati Wind Symphony, Eugene Migliaro CorporonSuite of Old American Dances: IV. Wallflower WaltzRobert Russell Bennett, Cincinnati Wind Symphony, Eugene Migliaro CorporonF Major07B69 BPM
Danserye: I. La Morisque by Tylman Susato, Patrick Dunnigan, The University of Texas Wind Ensemble, Jerry JunkinDanserye: I. La MorisqueTylman Susato, Patrick Dunnigan, The University of Texas Wind Ensemble, Jerry JunkinC Major38B178 BPM
Downey Overture by Oscar Navarro, North Texas Wind Symphony, Eugene Migliaro CorporonDowney OvertureOscar Navarro, North Texas Wind Symphony, Eugene Migliaro CorporonG Major39B130 BPM
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - The Augurs of Spring (1921 Version) by Igor Stravinsky, Leonard Bernstein, London Symphony OrchestraThe Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - The Augurs of Spring (1921 Version)Igor Stravinsky, Leonard Bernstein, London Symphony OrchestraF Minor44A109 BPM
Wood Music - Concerto pour quintette à vent et orchestre by Olivier Calmel, Scoring Orchestra, Aurélien Azan Zielinski, Mayu Sato-Brémaud, Annelise Clément, Baptiste Gibier, Cyril Normand, Frank SiboldWood Music - Concerto pour quintette à vent et orchestreOlivier Calmel, Scoring Orchestra, Aurélien Azan Zielinski, Mayu Sato-Brémaud, Annelise Clément, Baptiste Gibier, Cyril Normand, Frank SiboldB Major01B67 BPM
Variations on a Korean Folk Song by US Army Field Band and Soldiers' ChorusVariations on a Korean Folk SongUS Army Field Band and Soldiers' ChorusD♭ Major03B68 BPM
Sunset Strip: I. 7 PM by Michael Daugherty, Paul Randall, Timothy Stewart, North Carolina Symphony Orchestra, Grant LlewellynSunset Strip: I. 7 PMMichael Daugherty, Paul Randall, Timothy Stewart, North Carolina Symphony Orchestra, Grant LlewellynC Minor25A154 BPM
Metropolis Symphony: I. Lex by Michael Daugherty, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Giancarlo GuerreroMetropolis Symphony: I. LexMichael Daugherty, Mary Kathryn Van Osdale, Nashville Symphony Orchestra, Giancarlo GuerreroF Major37B94 BPM
This Land Sings (Inspired by the Life and Times of Woody Guthrie): No. 2, The Ghost and Will of Joe Hill by Michael Daugherty, Annika Socolofsky, John Daugherty, Dogs of Desire, David Alan MillerThis Land Sings (Inspired by the Life and Times of Woody Guthrie): No. 2, The Ghost and Will of Joe HillMichael Daugherty, Annika Socolofsky, John Daugherty, Dogs of Desire, David Alan MillerA Minor28A171 BPM
2nd Suite for Military Band in F Major, Op. 28 No. 2, H. 106: I. March by Gustav Holst, Dallas Wind Symphony, Howard Dunn2nd Suite for Military Band in F Major, Op. 28 No. 2, H. 106: I. MarchGustav Holst, Dallas Wind Symphony, Howard DunnF Major17B130 BPM
ISRC
QMZ621600586
Label
L-M Records/RCA Records

Section: 0.6054387092590332

End: 0.6194655895233154