- BPM
- 88
- Key
- B Minor
- Camelot
- 10A
Harmonia artificioso - ariosa: Partia VII in C Minor, Sarabande - Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon Information
- Acousticness
- 84%
- Danceability
- 18%
- Energy
- 6%
- Instrumentalness
- 1%
- Liveness
- 31%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 20%
- Popularity
- 11%
- Loudness
- -23.618 dB
Summary
Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon's 'Harmonia artificioso - ariosa: Partia VII in C Minor, Sarabande' came out on 1994. With Harmonia artificioso - ariosa: Partia VII in C Minor, Sarabande being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 34 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra. Harmonia artificioso - ariosa: Partia VII in C Minor, Sarabande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Harmonia artificioso - ariosa: Partia VII in C Minor, Sarabande BPM
The tempo marking of Harmonia artificioso - ariosa: Partia VII in C Minor, Sarabande by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Harmonia artificioso - ariosa: Partia VII in C Minor, Sarabande Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | |
 | Sonata No. 3 in B Minor, "The Nativity": II. Courente | Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame | D♭ Major | 1 | 3B | 73 BPM | |
 | Brockes-Passion, TWV 5:1, Teil I: No. 1, Sinfonia | Georg Philipp Telemann, Akademie für Alte Musik Berlin, René Jacobs | B Minor | 0 | 10A | 76 BPM | |
 | Canzoni, libro 1b: Toccata per spinettina, è violino, F 8.49 | Girolamo Frescobaldi, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | A♭ Minor | 1 | 1A | 78 BPM | |
 | Concerto I in Sol minore RV 157: Largo | Modo Antiquo, Federico Maria Sardelli | G Minor | 1 | 6A | 62 BPM | |
 | Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Giga (Allegro) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F Minor | 0 | 4A | 124 BPM | |
 | Sonata No. 4 in E Minor: II. Fuga Allegro | Johann Friedrich Meister, Musica Antiqua Köln | E♭ Minor | 4 | 2A | 103 BPM | |
 | Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM | |
 | Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | |
 | Viola da Gamba Suite in D Major: VIII. Aria | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 114 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6051454544067383
End: 0.60888671875