Pietro Mascagni, Enrico Caruso, Salvatore Cottone's 'Cavalleria Rusticana: O Lola (Siciliana)' came out on June 8, 2001. The duration of Cavalleria Rusticana: O Lola (Siciliana) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Cavalleria Rusticana: O Lola (Siciliana)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 27 in Caruso, Enrico: Complete Recordings, Vol. 1 (1902-1903) by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Cavalleria Rusticana: O Lola (Siciliana) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cavalleria Rusticana: O Lola (Siciliana) by Pietro Mascagni, Enrico Caruso, Salvatore Cottone is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Violin Concerto in A Major, Op. 7 No. 1: II. Adagio | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | B Major | 0 | 1B | 79 BPM | ||
Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | G Major | 1 | 9B | 73 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Orff: Carmina Burana: In Trutina | Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 70 BPM | ||
Dido and Aeneas, Z. 626: When I am laid in earth, "Dido's Lament" (arr. L. Stokowski) | Henry Purcell, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | G Minor | 0 | 6A | 73 BPM | ||
Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: III. Rondo. Allegro vivace | Wolfgang Amadeus Mozart, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 75 BPM | ||
Carmen (arr. N. Mercz): Intermezzo from the Opera "Carmen" | Nora Mercz, Georges Bizet, Janos Balint | E♭ Major | 0 | 5B | 72 BPM |
Section: 0.6647024154663086
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