Jacques Hotteterre, Rachel Brown, Mark Caudle, James Johnstone's 'Airs et brunettes: Porquoy, doux rossignol. Tendrement' came out on July 1, 1994. The duration of Airs et brunettes: Porquoy, doux rossignol. Tendrement is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Airs et brunettes: Porquoy, doux rossignol. Tendrement's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 22 in French Baroque Flute Music by Rachel Brown, Mark Caudle, James Johnstone. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Airs et brunettes: Porquoy, doux rossignol. Tendrement is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Airs et brunettes: Porquoy, doux rossignol. Tendrement by Jacques Hotteterre, Rachel Brown, Mark Caudle, James Johnstone is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in B Minor, Op. 5, No. 4: II. Allemande | Jacques Hotteterre, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | A Minor | 1 | 8A | 101 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Chamber Sonata No. 2 in C Minor: IV. Vivace - Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Major | 2 | 11B | 95 BPM | ||
Trio Sonata in C Major, BuxWV 256: V. Adagio - Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: I. Largo | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D Minor | 0 | 7A | 82 BPM | ||
Suite in G Minor, Op. 5 No. 1: VII. Gavotte | Jacques Hotteterre, Karl Kaiser, Camerata Köln | F Minor | 0 | 4A | 68 BPM | ||
2e Livre de Sonates à violon seul et basse continue, Sonata X: Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): III. Amoroso | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 79 BPM |
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