"Straszny Dwor (The Haunted Manor) / Act 4: Do grobu trwac w bezzennym stanie" by Stanisław Moniuszko, Aleksandra Kurzak, Orchestra de la Comunitat Valenciana, Omer Meir Wellber had its release date on January 1, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Aleksandra Kurzak, Orchestra de la Comunitat Valenciana, Omer Meir Wellber's "Gioia!" album is number 11 out of 11. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Straszny Dwor (The Haunted Manor) / Act 4: Do grobu trwac w bezzennym stanie is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Straszny Dwor (The Haunted Manor) / Act 4: Do grobu trwac w bezzennym stanie by Stanisław Moniuszko, Aleksandra Kurzak, Orchestra de la Comunitat Valenciana, Omer Meir Wellber to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act 1 Scene 5: L'Amour est un oiseau rebelle (Arr. for Countertenor & String Quartet by Eric Mouret) | Georges Bizet, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Pieśni: Znasz-li ten kraj [I] | Stanisław Moniuszko, Piotr Beczala, Helmut Deutsch | F♯ Major | 1 | 2B | 82 BPM | ||
Armida, Act II Scene 10: Seguito del ballo. Andante | Gioachino Rossini, José Miguel Pérez-Sierra, Krakow Philharmonic Orchestra | E♭ Major | 0 | 5B | 94 BPM | ||
Stary kapral | Stanisław Moniuszko, Leszek Skrla, Anna Mikolon, - | A♭ Major | 2 | 4B | 89 BPM | ||
Mussorgsky: Boris Godunov, Prologue: Introduction | Modest Mussorgsky, Issay Dobrowen, Orchestre National Radiodiffusion Française | C Major | 1 | 8B | 149 BPM | ||
Paderewski: 6 Humoresques de concert, Op. 14, Cahier I "À l'antique": No. 1, Menuet célèbre | Ignacy Jan Paderewski, Mariam Batsashvili | G Major | 1 | 9B | 106 BPM | ||
Elegy (on a song by Sayat-Nova) | Arno Babadjanian, Jean-Paul Gasparian | D Minor | 1 | 7A | 68 BPM | ||
Les comédiens (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 7, Wohl schön bewandt | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | A♭ Major | 0 | 4B | 72 BPM | ||
Divertimento in B-Flat Major, K.287, Lodron Night Music No. 2: IV. Adagio | Wolfgang Amadeus Mozart, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | E♭ Major | 1 | 5B | 167 BPM |