Johann Sebastian Bach, Lang Lang made "Goldberg Variations, BWV 988: Variatio 18 Canone alla Sesta. a 1 Clav. - Live at Thomaskirche Leipzig / 2020" available on February 12, 2021. With Goldberg Variations, BWV 988: Variatio 18 Canone alla Sesta. a 1 Clav. - Live at Thomaskirche Leipzig / 2020 being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. Goldberg Variations, BWV 988: Variatio 18 Canone alla Sesta. a 1 Clav. - Live at Thomaskirche Leipzig / 2020 is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Goldberg Variations, BWV 988: Variatio 18 Canone alla Sesta. a 1 Clav. - Live at Thomaskirche Leipzig / 2020 by Johann Sebastian Bach, Lang Lang is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 62 "Wenn ich einmal soll scheiden" | Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir | A♭ Minor | 0 | 1A | 176 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Lang Lang | B♭ Major | 4 | 6B | 138 BPM | ||
We Don’t Talk About Bruno - From "Encanto" | Lang Lang | B♭ Major | 8 | 6B | 140 BPM | ||
Harpsichord Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, New Bach Collegium Musicum Leipzig, Burkhard Glaetzner, Paul Leenhouts, Karel Van Steenhoven, Christine Schornsheim | A Major | 2 | 11B | 148 BPM | ||
Cello Suite No. 3 In C major, BWV 1009 : IV. Sarabande | Pablo Casals | G Major | 1 | 9B | 87 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | ||
Piano Trio in A Minor, Op. 50, TH. 117: Var. VI: Tempo di valse | Pyotr Ilyich Tchaikovsky, Lang Lang, Vadim Repin, Mischa Maisky | B Minor | 1 | 10A | 66 BPM | ||
St. Matthew Passion, BWV 244, Pt. 2: No. 50. Sie schrieen aber noch mehr | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, James Gilchrist | B♭ Minor | 3 | 3A | 90 BPM | ||
Pièces de clavecin, Livre III, Ordre 18: I. La Verneüille | François Couperin, Angela Hewitt | F Minor | 0 | 4A | 83 BPM | ||
Goldberg Variations, BWV 988: Variatio 20 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 | Johann Sebastian Bach, Lang Lang | G Major | 2 | 9B | 96 BPM |
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