Richard Wagner, Set Svanholm, Peter Markwort, Josef Herrmann, Alois Pernerstorfer, Ludwig Weber, Elisabeth Höngen, Kirsten Flagstad, Julia Moor, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler's 'Siegfried: Act III Scene 2: Dort seh ich Siegfried nahen (Wanderer, Siegfried)' came out on July 3, 2012. With Siegfried: Act III Scene 2: Dort seh ich Siegfried nahen (Wanderer, Siegfried) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wilhelm Furtwangler Conducts Richard Wagner's Der Ring des Nibelungen (Milan 1950) by Richard Wagner, Wilhelm Furtwängler. The song's track number on the album is #12 out of 259 tracks. Based on our data, United States was the country where this track was produced or recorded. Siegfried: Act III Scene 2: Dort seh ich Siegfried nahen (Wanderer, Siegfried) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Siegfried: Act III Scene 2: Dort seh ich Siegfried nahen (Wanderer, Siegfried) by Richard Wagner, Set Svanholm, Peter Markwort, Josef Herrmann, Alois Pernerstorfer, Ludwig Weber, Elisabeth Höngen, Kirsten Flagstad, Julia Moor, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Siegfried: Act III Scene 2: Dort seh ich Siegfried nahen (Wanderer, Siegfried) being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Turandot / Act 3: "Diecimile anni al nostro Imperatore...Padre augusto" | Giacomo Puccini, Dame Joan Sutherland, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM | ||
Verdi: Messa da Requiem: I. Introit - Kyrie | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | G Minor | 1 | 6A | 65 BPM | ||
Novorossisk Chimes (The Fires of Eternal Glory), Op. 111b | Dmitri Shostakovich, Royal Philharmonic Orchestra, Vladimir Ashkenazy | E♭ Major | 2 | 5B | 72 BPM | ||
Symphony No. 8, Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM | ||
Parsifal Wagner - Good Friday Spell | Gerard Schwarz | D Major | 0 | 10B | 75 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VI - Andante | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM |
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