Prokofiev: Cinderella, Op. 87, Act 1: No. 6, Dressing for the Ball (Vivo)
Sergei Prokofiev, André Previn, London Symphony Orchestra
Prokofiev: Cinderella - Ballet/Symphony No. 1
2:07 January 10, 1995
BPM
145
Key
C Major
Camelot
8B

Embed

Share Link

Prokofiev: Cinderella, Op. 87, Act 1: No. 6, Dressing for the Ball (Vivo) - Sergei Prokofiev, André Previn, London Symphony Orchestra Information

Acousticness
94%
Danceability
38%
Energy
11%
Instrumentalness
60%
Liveness
32%
Loudness
63%
Speechiness
4%
Valence
16%
Popularity
Loudness
-22.287 dB

Summary

"Prokofiev: Cinderella, Op. 87, Act 1: No. 6, Dressing for the Ball (Vivo)" by Sergei Prokofiev, André Previn, London Symphony Orchestra was released on January 10, 1995. The duration of Prokofiev: Cinderella, Op. 87, Act 1: No. 6, Dressing for the Ball (Vivo) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Prokofiev: Cinderella, Op. 87, Act 1: No. 6, Dressing for the Ball (Vivo)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "Prokofiev: Cinderella - Ballet/Symphony No. 1". In this album, this song's track order is #6. Based on our statistics, Prokofiev: Cinderella, Op. 87, Act 1: No. 6, Dressing for the Ball (Vivo)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Prokofiev: Cinderella, Op. 87, Act 1: No. 6, Dressing for the Ball (Vivo) BPM

With Prokofiev: Cinderella, Op. 87, Act 1: No. 6, Dressing for the Ball (Vivo) by Sergei Prokofiev, André Previn, London Symphony Orchestra having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Prokofiev: Cinderella, Op. 87, Act 1: No. 6, Dressing for the Ball (Vivo) Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Giselle: No. 4 - Allegro Loure by Adolphe Adam, London Symphony Orchestra, Michael Tilson ThomasGiselle: No. 4 - Allegro LoureAdolphe Adam, London Symphony Orchestra, Michael Tilson ThomasD Major110B127 BPM
Act I: Street Dancer (Minkus) by Mariinsky OrchestraAct I: Street Dancer (Minkus)Mariinsky OrchestraD Major110B87 BPM
Rossini: Il Barbiere di Siviglia: Overture by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriRossini: Il Barbiere di Siviglia: OvertureGioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriE Major212B88 BPM
Coppelia: Act II - Scene by Léo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaCoppelia: Act II - SceneLéo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaC Major08B70 BPM
Don Quixote: Act III: March by Ludwig Minkus, Sofia National Opera Orchestra, Nayden TodorovDon Quixote: Act III: MarchLudwig Minkus, Sofia National Opera Orchestra, Nayden TodorovE Minor29A106 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezL’arlésienne Suite No. 1, Op. 23bis, WD 40: II. MenuetGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezA♭ Major04B94 BPM
La boîte à joujoux, L. 128: III. La bergerie à vendre by Claude Debussy, London Symphony Orchestra, Michael Tilson ThomasLa boîte à joujoux, L. 128: III. La bergerie à vendreClaude Debussy, London Symphony Orchestra, Michael Tilson ThomasF Minor04A72 BPM
Symphony No.2 in C minor - Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Etwas drängendGustav Mahler, Wiener Philharmoniker, Gilbert KaplanB Major11B108 BPM
Prokofiev: Cinderella, Op. 87, Act 1: No. 4, The Father (Andantino) by Sergei Prokofiev, André Previn, London Symphony OrchestraProkofiev: Cinderella, Op. 87, Act 1: No. 4, The Father (Andantino)Sergei Prokofiev, André Previn, London Symphony OrchestraC Major28B147 BPM
The Best Years of Our Lives- Theme by Hugo Friedhofer, John Williams, London Symphony OrchestraThe Best Years of Our Lives- ThemeHugo Friedhofer, John Williams, London Symphony OrchestraA Major011B86 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7831625938415527

End: 0.7878217697143555