"Prokofiev: Cinderella, Op. 87, Act 1: No. 6, Dressing for the Ball (Vivo)" by Sergei Prokofiev, André Previn, London Symphony Orchestra was released on January 10, 1995. The duration of Prokofiev: Cinderella, Op. 87, Act 1: No. 6, Dressing for the Ball (Vivo) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Prokofiev: Cinderella, Op. 87, Act 1: No. 6, Dressing for the Ball (Vivo)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "Prokofiev: Cinderella - Ballet/Symphony No. 1". In this album, this song's track order is #6. Based on our statistics, Prokofiev: Cinderella, Op. 87, Act 1: No. 6, Dressing for the Ball (Vivo)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Cinderella, Op. 87, Act 1: No. 6, Dressing for the Ball (Vivo) by Sergei Prokofiev, André Previn, London Symphony Orchestra having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: No. 4 - Allegro Loure | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | D Major | 1 | 10B | 127 BPM | ||
Act I: Street Dancer (Minkus) | Mariinsky Orchestra | D Major | 1 | 10B | 87 BPM | ||
Rossini: Il Barbiere di Siviglia: Overture | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 2 | 12B | 88 BPM | ||
Coppelia: Act II - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 70 BPM | ||
Don Quixote: Act III: March | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E Minor | 2 | 9A | 106 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
La boîte à joujoux, L. 128: III. La bergerie à vendre | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 72 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Etwas drängend | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 108 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 1: No. 4, The Father (Andantino) | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 2 | 8B | 147 BPM | ||
The Best Years of Our Lives- Theme | Hugo Friedhofer, John Williams, London Symphony Orchestra | A Major | 0 | 11B | 86 BPM |
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