Lotte Lenya Sings Kurt Weill - The Seven Deadly Sins / Berlin Theatre Songs
Kurt Weill, Lotte Lenya
1955
Popularity
25%
Number of Tracks
21
Label
Masterworks Broadway
Copyright
Originally released 1955, 1957 SONY BMG MUSIC ENTERTAINMENT
UPC
074646322222
| # | Track | Artist | Key | Camelot | BPM | |
|---|---|---|---|---|---|---|
| 1 |  | Die sieben Todsünden: Prolog (Andante sostenuto) | Kurt Weill, Lotte Lenya, Wilhelm Brückner-Rüggeberg | F Minor | 4A | 74 |
| 2 | | Die sieben Todsünden: Faulheit (Allegro vivace) | Kurt Weill, Julius Katona, Fritz Göllnitz, Ernst Poettgen, Sigmund Roth, Wilhelm Brückner-Rüggeberg | F Minor | 4A | 81 |
| 3 | | Die sieben Todsünden: Stolz (Allegretto, quasi andantino - Schneller Walzer) | Kurt Weill, Lotte Lenya, Wilhelm Brückner-Rüggeberg | G Minor | 6A | 102 |
| 4 | | Die sieben Todsünden: Zorn (Molto agitato) | Kurt Weill, Lotte Lenya, Wilhelm Brückner-Rüggeberg | F Major | 7B | 108 |
| 5 | | Die sieben Todsünden: Völlerei (Largo) | Kurt Weill, Julius Katona, Wilhelm Brückner-Rüggeberg | D Minor | 7A | 78 |
| 6 | | Die sieben Todsünden: Unzucht (Moderato) | Kurt Weill, Lotte Lenya, Wilhelm Brückner-Rüggeberg | F♯ Major | 2B | 86 |
| 7 | | Die sieben Todsünden: Habsucht (Allegro giusto) | Kurt Weill, Julius Katona, Wilhelm Brückner-Rüggeberg | F Major | 7B | 94 |
| 8 | | Die sieben Todsünden: Neid (Allegro non troppo - Alla marcia un poco tenuto) | Kurt Weill, Lotte Lenya, Wilhelm Brückner-Rüggeberg | D Minor | 7A | 104 |
| 9 | | Die sieben Todsünden: Epilog (Andante sostenuto) | Kurt Weill, Lotte Lenya, Wilhelm Brückner-Rüggeberg | G Major | 9B | 51 |
| 10 | | The Threepenny Opera: Moritat von Mackie Messer (Mack the Knife) | Kurt Weill, Lotte Lenya, Roger Bean | F♯ Minor | 11A | 152 |
| 11 | | The Threepenny Opera: Barbara Song | Kurt Weill, Lotte Lenya, Roger Bean | B♭ Minor | 3A | 134 |
| 12 | | The Threepenny Opera: Seeräuberjenny (Pirate Jenny) | Kurt Weill, Lotte Lenya, Roger Bean | D♭ Major | 3B | 136 |
| 13 | | The Rise and Fall of the City of Mahagonny: Havana-Lied | Kurt Weill, Lotte Lenya, Roger Bean | F Minor | 4A | 134 |
| 14 | | The Rise and Fall of the City of Mahagonny: Alabama-Song | Kurt Weill, Lotte Lenya, Roger Bean | B♭ Major | 6B | 163 |
| 15 | | The Rise and Fall of the City of Mahagonny: Denn wie man sich bettet (As You Make Your Bed) | Kurt Weill, Lotte Lenya, Roger Bean | A Major | 11B | 96 |
| 16 | | Happy End: Bilbao-Song | Kurt Weill, Lotte Lenya, Roger Bean | E♭ Major | 5B | 165 |
| 17 | | Happy End: Surabaya-Johnny | Kurt Weill, Lotte Lenya, Roger Bean | C Minor | 5A | 128 |
| 18 | | Happy End: Was die Herren Matrosen sagen (The Sailor's Tango) | Kurt Weill, Lotte Lenya, Roger Bean | D Major | 10B | 115 |
| 19 | | Berlin Requiem: Vom ertrunkenen Mädchen (Ballad of the Drowned Girl) | Kurt Weill, Lotte Lenya, Roger Bean | E Minor | 9A | 75 |
| 20 | | The Silverlake, A Winter's Tale: Lied der Fennimore (I Am a Poor Relative) | Kurt Weill, Lotte Lenya, Roger Bean | B♭ Major | 6B | 86 |
| 21 | | The Silverlake, A Winter's Tale: Cäsars Tod (Ballad of Caesar) | Kurt Weill, Lotte Lenya, Roger Bean | F Major | 7B | 103 |