Kurt Weill, Lotte Lenya, Roger Bean made "The Rise and Fall of the City of Mahagonny: Alabama-Song" available on 1955. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kurt Weill, Lotte Lenya's "Lotte Lenya Sings Kurt Weill - The Seven Deadly Sins / Berlin Theatre Songs" album is number 14 out of 21. On top of that, United States appears to be the country where this track was created. The popularity of The Rise and Fall of the City of Mahagonny: Alabama-Song is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The Rise and Fall of the City of Mahagonny: Alabama-Song by Kurt Weill, Lotte Lenya, Roger Bean to be Vivace (lively and fast) because the track has a tempo of 163 BPM, a half-time of 82BPM, and a double-time of 326 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otto e mezzo - Suite: 5. Carlotta’s gallop | Nino Rota, Filarmonica della Scala, Riccardo Chailly | G Major | 6 | 9B | 169 BPM | ||
Wiegala | Ilse Weber, Anne Sofie von Otter, Bebe Risenfors | E Minor | 0 | 9A | 112 BPM | ||
Blow The Wind Southerly | Kathleen Ferrier | D♭ Major | 1 | 3B | 132 BPM | ||
Schubert: Auf dem Wasser zu singen, Op. 72, D. 774 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | A♭ Minor | 1 | 1A | 74 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Minor | 0 | 5A | 77 BPM | ||
American Song Suite: I. September Song (Version for Violin and Chamber Orchestra) | Kurt Weill, Daniel Hope, Joscho Stephan, Alexander Ponet, Zürcher Kammerorchester | C Major | 2 | 8B | 113 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | F♯ Major | 1 | 2B | 119 BPM | ||
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | B Major | 2 | 1B | 90 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM |
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