"Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Butterfly, Pinkerton)" by Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano was released on 1955. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 36 in the song's album "Puccini: Madama Butterfly (1955 - Karajan) - Callas Remastered". In this album, this song's track order is #12. Based on our statistics, Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Butterfly, Pinkerton)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Butterfly, Pinkerton) by Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Norma (1997 Digital Remaster), ACT 1, Scene 1: Sediziose voci (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Minor | 1 | 3A | 85 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Ma signor...ma un dottor ... (Tutti) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 5 | 8B | 118 BPM | ||
Carmen (1997 - Remaster), Act III: Trio des Cartes: Mêlons! Coupons! | Georges Bizet, Maria Callas, Nadine Sautereau, Jane Berbié, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F Major | 1 | 7B | 125 BPM | ||
Lucia di Lammermoor: Act I: Regnava nel silenzio (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Raffaele Arie, Valiano Natali, Anna Maria Canali, Gino Sarri, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | F♯ Major | 1 | 2B | 86 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Chorus, Enrico) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Ponchielli: La Gioconda, Act 1: "E cantan su lor tombe!" (Barnaba, Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Piero Cappuccilli | E Minor | 1 | 9A | 89 BPM | ||
Norma viene - Norma - Gala Performance - July 9th. 1949 - Buenos Aires 09/07/1949 Restauración 2023 | Vincenzo Bellini, Maria Callas, Tulio Serafin, Orquesta Estable Teatro Colón | D Minor | 4 | 7A | 84 BPM | ||
La Bohème / Act 1: Pensier profondo" - Live | Giacomo Puccini, Rolando Villazón, Boaz Daniel, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy | G Minor | 1 | 6A | 171 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi | E Minor | 1 | 9A | 171 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM |