Moritz Moszkowski, Vladimir Horowitz made "Étincelles, Morceau caractéristique op.36, no.6: Allegro scherzando - Live" available on January 1, 1998. The duration of Étincelles, Morceau caractéristique op.36, no.6: Allegro scherzando - Live is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Étincelles, Morceau caractéristique op.36, no.6: Allegro scherzando - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Vladimir Horowitz's "Horowitz In Moscow (DG Centenary Edition - 1986)" album is number 14 out of 15. Étincelles, Morceau caractéristique op.36, no.6: Allegro scherzando - Live is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Étincelles, Morceau caractéristique op.36, no.6: Allegro scherzando - Live by Moritz Moszkowski, Vladimir Horowitz to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebestraum No.2 in E Flat Major, S.541 No.2 - nach einem Gedicht von Ludwig Uhland: Notturno II: Seliger Tod | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 136 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
Piano Sonata No. 12 in F, K.332: 1. Allegro | Wolfgang Amadeus Mozart, András Schiff | C Major | 0 | 8B | 74 BPM | ||
Danse, "Tarentelle styrienne" | Claude Debussy, François-Joël Thiollier | F♯ Minor | 1 | 11A | 69 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 3. Menuet | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 86 BPM | ||
Myrthen, Op. 25: No. 24, Du bist wie eine Blume (Arr. Godowsky) | Robert Schumann, Angela Hewitt | C Major | 0 | 8B | 131 BPM | ||
Double Bass Concerto, Op. 3: II. Andante | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | B Minor | 1 | 10A | 131 BPM |