Fernando Sor, Andrés Segovia made "Variations on a Theme by Mozart, Op.9: Variations on a Theme by Mozart, Op.9" available on January 1, 2002. Since Variations on a Theme by Mozart, Op.9: Variations on a Theme by Mozart, Op.9 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 41 in Andrés Segovia - The Art of Segovia by Andrés Segovia, Albert Roussel, Alexander Scriabin, Carlos Pedrell, César Franck, Claude Debussy, Domenico Scarlatti, Edvard Grieg, Federico Moreno Torroba, Felix Mendelssohn, Fernando Sor, Francisco Tárrega, Frédéric Chopin, George Frideric Handel, Girolamo Frescobaldi, Heitor Villa-Lobos, Isaac Albéniz, Jean-Philippe Rameau, Joaquín Rodrigo, Joaquín Turina, Johann Sebastian Bach, John Dowland, Manuel de Falla, Manuel Ponce, Mario Castelnuovo-Tedesco, Modest Mussorgsky, Niccolò Paganini, Traditional. In terms of popularity, Variations on a Theme by Mozart, Op.9: Variations on a Theme by Mozart, Op.9 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Variations on a Theme by Mozart, Op.9: Variations on a Theme by Mozart, Op.9 by Fernando Sor, Andrés Segovia is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse, Op. 64: II. Tempo giusto | Frédéric Chopin, Tatyana Ryzhkova | A Minor | 4 | 8A | 147 BPM | ||
The Girl With The Flaxen Hair | Marshall (Arr.), Claude Debussy, Christopher Parkening | E Minor | 0 | 9A | 87 BPM | ||
Suite espagnole, Op. 47: IV. Cádiz | Isaac Albéniz, Thibault Cauvin | A Major | 2 | 11B | 83 BPM | ||
Dreams | Sergio Assad | B♭ Major | 0 | 6B | 133 BPM | ||
36 Caprices, Op. 20: XV. Presto | Luigi Legnani, Pavel Steidl | B Minor | 2 | 10A | 100 BPM | ||
Serie Americana: Vals | Hector Ayala, Victor Villadangos | A Minor | 1 | 8A | 81 BPM | ||
Keyboard Sonata in D Major, K.178/L.162/P.392 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | A Major | 1 | 11B | 119 BPM | ||
Suite espanola No. 1, Op. 47 (arr. N. Kraft): Sevilla | Norbert Kraft, Isaac Albéniz | G Major | 1 | 9B | 118 BPM | ||
Desert Blooms | Jeffrey McFadden | E Minor | 0 | 9A | 180 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): IV. Cadiz (Cancion) | Jason Vieaux, Isaac Albéniz | A Major | 1 | 11B | 95 BPM |