"Bassoon Concerto: II. Serenade Nocturne: Andantino" by Henri Tomasi, Christian Kunert, German String Orchestra, Olivier Tardy was released on January 1, 2013. With this song being about 5 minutes long, at 4:36, "Bassoon Concerto: II. Serenade Nocturne: Andantino" by Henri Tomasi, Christian Kunert, German String Orchestra, Olivier Tardy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Henri Tomasi, Trio d'anches Hamburg, Olivier Tardy's "Henri Tomasi: Concertos for woodwind instruments" album is number 7 out of 11. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Bassoon Concerto: II. Serenade Nocturne: Andantino's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bassoon Concerto: II. Serenade Nocturne: Andantino by Henri Tomasi, Christian Kunert, German String Orchestra, Olivier Tardy to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar / Arr. Nakariakov for Flugelhorn and Piano: Salut d'amour, Op. 12 | Edward Elgar, Sergei Nakariakov, Maria Meerovitch | G Minor | 0 | 6A | 75 BPM | ||
Pastorale for Trumpet, Bass Trombone & Piano | Eric Ewazen, Ingrid Rebostock, Yossi Itskovich | E♭ Major | 1 | 5B | 70 BPM | ||
Trombone Concerto No. 12, Op. 52: Allegro moderato - | Vagn Holmboe, Jesper Juul Sorensen, Danish National Symphony Orchestra, Henrik Vagn Christensen | E Minor | 1 | 9A | 76 BPM | ||
Sonatina for Clarinet and Piano: Allegro con brio | Malcolm Arnold, Arthur Campbell, Helen Marlais | D Minor | 1 | 7A | 138 BPM | ||
プロヴァンスの風景: プロヴァンスの風景: いとしい人への歌 | Paule Maurice, Nobuya Sugawa, 小柳美奈子 | E Minor | 1 | 9A | 66 BPM | ||
Colors: IV. Green | Bert Appermont, Columbus State University Wind Ensemble, Joseph Alessi, Robert W. Rumbelow | C Major | 3 | 8B | 76 BPM | ||
Trombone Concerto: I. Moderato assai ma molto maestoso | Launy Grøndahl, Christian Lindberg, Bamberg Symphony, Leif Segerstam | D♭ Major | 1 | 3B | 65 BPM | ||
5 Danses profanes et sacrees: III. Danse sacree | Henri Tomasi, Berlin Philharmonic Wind Quintet | E♭ Major | 0 | 5B | 142 BPM | ||
Kleine Dreigroschenmusik: V. Pollys Lied | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | G Major | 0 | 9B | 76 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Valéry Gergiev, Mariinsky Orchestra | A♭ Major | 3 | 4B | 128 BPM |