"Peer Gynt, Op.23 - Incidental Music: No. 19 Solveig's Song" by Edvard Grieg, Barbara Bonney, Gothenburg Symphony Orchestra, Neeme Järvi was released on October 9, 2021. With this song being about 5 minutes long, at 4:58, "Peer Gynt, Op.23 - Incidental Music: No. 19 Solveig's Song" by Edvard Grieg, Barbara Bonney, Gothenburg Symphony Orchestra, Neeme Järvi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edvard Grieg, Various Artists's "Inspiration: Grieg" album is number 126 out of 150. Peer Gynt, Op.23 - Incidental Music: No. 19 Solveig's Song is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt, Op.23 - Incidental Music: No. 19 Solveig's Song by Edvard Grieg, Barbara Bonney, Gothenburg Symphony Orchestra, Neeme Järvi to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Mozart / Arr. Grieg for Two Pianos: Piano Sonata No. 16 in C Major, K. 545 "Semplice": I. Allegro (Live) | Wolfgang Amadeus Mozart, Martha Argerich, Piotr Anderszewski | D Minor | 0 | 7A | 121 BPM | ||
Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39) | Johann Sebastian Bach, Martin Stadtfeld | G Minor | 1 | 6A | 79 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Mozart: Fantasia for Piano in D Minor, K. 397 | Wolfgang Amadeus Mozart, Cyprien Katsaris | E Minor | 0 | 9A | 80 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 4 in D Major | Sergei Rachmaninoff, Nikolai Lugansky | D Major | 0 | 10B | 78 BPM |