"Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar": II. Sarab: Variatio" by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia was released on March 4, 2014. With this song being about 5 minutes long, at 5:19, "Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar": II. Sarab: Variatio" by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 42 in Biber: Rosenkrantz Sonaten (Mystery Sonatas) by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen. In terms of popularity, Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar": II. Sarab: Variatio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar": II. Sarab: Variatio by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
III. Le tendre: (Ouverture) Le tendre - Sarabande du tendre - Gavote La ferme - Menuet du tendre | Monsieur de Sainte-Colombe, Les Voix Humaines | A♭ Minor | 1 | 1A | 73 BPM | ||
Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 110 BPM | ||
Mystery (Rosary) Sonata No. 15, "The Beatification of the Virgin"*: IV. Sarabanda | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Major | 0 | 1B | 97 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Violin Sonata in B-Flat Major, T. So 34: IV. Sarabanda | Tomaso Albinoni, Davide Belosio, I Solisti Ambrosiani | A♭ Major | 0 | 4B | 120 BPM | ||
Serenata con violini (Sinfonia), Op. 8 | Barbara Strozzi, Ensemble Poïésis | A♭ Minor | 0 | 1A | 97 BPM | ||
Maddalena ai piedi di Cristo: No. 6 Aria Amor Celeste "La ragione, s'un'alma conseglia" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Andreas Scholl | E Major | 2 | 12B | 80 BPM | ||
Canzon 19 a 8 | Giovanni Picchi, Flanders Recorder Quartet, Viola da Gamba Consort, Guy Penson | A♭ Major | 1 | 4B | 81 BPM | ||
Sonata for Flauto Traverso and Basso Continuo in E Major, BWV 1035: II. Allegro | Richard Egarr, Johann Sebastian Bach, Viola de Hoog, Martin Root | D Major | 2 | 10B | 103 BPM | ||
La Terpsichore: V. Première sicilienne. Rondeau | Jean-Féry Rebel, Jordi Savall | D♭ Major | 1 | 3B | 84 BPM |