"The Tender Land (Opera in Three Acts): Act 2: Quite slow" by Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society, New York Philharmonic was released on February 16, 2024. The duration of The Tender Land (Opera in Three Acts): Act 2: Quite slow is about 3 minutes long, at 3:15. Based on our data, "The Tender Land (Opera in Three Acts): Act 2: Quite slow" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 17 in Copland: The Tender Land by Aaron Copland, New York Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Tender Land (Opera in Three Acts): Act 2: Quite slow is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Tender Land (Opera in Three Acts): Act 2: Quite slow by Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grand Canyon Suite: 3. On the Trail | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | A Major | 1 | 11B | 80 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | ||
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | ||
Fantasia (completed by K. Russman) | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | F Major | 1 | 7B | 82 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Serenade for Strings | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 89 BPM | ||
Khovanshchina: Dawn on the Moskva River | Modest Mussorgsky, George Szell, Cleveland Orchestra | F♯ Major | 1 | 2B | 99 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM |