Gilbert & Sullivan Society of Houston made "The Pirates of Penzance, Act I: I Am the Very Model of a Modern Major-General" available on August 1, 2015. Since The Pirates of Penzance, Act I: I Am the Very Model of a Modern Major-General is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 38 in the song's album "The Pirates of Penzance". In this album, this song's track order is #14. The Pirates of Penzance, Act I: I Am the Very Model of a Modern Major-General is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Pirates of Penzance, Act I: I Am the Very Model of a Modern Major-General by Gilbert & Sullivan Society of Houston having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flor de nit - Himne la Paral·lel | Albert Guinovart, Cor Jove De L'Orfeó Català, Orquestra Simfònica Camera Musicae, Esteve Nabona | D Major | 2 | 10B | 62 BPM | ||
That's George Bailey | Keith Ferguson & Bruce Greer | D Minor | 5 | 7A | 96 BPM | ||
La vilanella | Sergio Franchi | C Major | 4 | 8B | 178 BPM | ||
Can't help lovin' dat man | Jerome Kern, John McGlinn/Ambrosian Chorus/London Sinfonietta/Frederica von Stade/Teresa Stratas/Karla Burns/Bruce Hubbard, John McGlinn, London Sinfonietta | E♭ Major | 2 | 5B | 131 BPM | ||
The Song That Goes Like This - Original Broadway Cast Recording: "Spamalot" | Christopher Sieber, Sara Ramirez | F Major | 7 | 7B | 181 BPM | ||
Somewhere My Love | Briana Carlson Goodman | A♭ Major | 4 | 4B | 79 BPM | ||
The Pirates of Penzance: I Am the Very Model | Eric Roberts | C Major | 2 | 8B | 133 BPM | ||
Overture "Once Upon A Mattress" | Mary Rodgers, Art Wagner | G Major | 3 | 9B | 85 BPM | ||
Soliloquy (From Carousel) | Gordon Macrae | A Minor | 2 | 8A | 123 BPM | ||
Trial by Jury: Oh, Gentlemen, Listen I Pray | Gilbert & Sullivan Society of Houston | G Major | 2 | 9B | 132 BPM |