Julian Lloyd Webber, Royal Philharmonic Orchestra, Nicholas Cleobury's 'Herz und Mund und Tat und Leben, Cantata BWV 147: Choral: "Jesus bleibet meine Freude" (Arr. Palmer)' came out on June 27, 1994. The duration of Herz und Mund und Tat und Leben, Cantata BWV 147: Choral: "Jesus bleibet meine Freude" (Arr. Palmer) is about 3 minutes long, at 3:04. Based on our data, "Herz und Mund und Tat und Leben, Cantata BWV 147: Choral: "Jesus bleibet meine Freude" (Arr. Palmer)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "The Julian Lloyd Webber Collection". In this album, this song's track order is #13. Herz und Mund und Tat und Leben, Cantata BWV 147: Choral: "Jesus bleibet meine Freude" (Arr. Palmer) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Herz und Mund und Tat und Leben, Cantata BWV 147: Choral: "Jesus bleibet meine Freude" (Arr. Palmer) by Julian Lloyd Webber, Royal Philharmonic Orchestra, Nicholas Cleobury having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana, III - Cours d'amours: In trutina | Carl Orff, Julian Lloyd Webber | C Major | 1 | 8B | 169 BPM | ||
The Stars and Stripes Forever (arr. C. Davis and D. Cullen) | David Cullen, John Philip Sousa, Carl Davis, Royal Philharmonic Orchestra | D Major | 4 | 10B | 122 BPM | ||
Seconda navigazione | Roberto Cacciapaglia, Royal Philharmonic Orchestra, Michele Fedrigotti | B Minor | 3 | 10A | 89 BPM | ||
The Queen Symphony: III: Adagio (Who Wants to Live Forever? - Save Me) | London Voices, Wandsworth School Boys Choir, Nicola Loud, Francois Rive, John Lenehan, Tolga Kashif, Royal Philharmonic Orchestra | E Minor | 2 | 9A | 77 BPM | ||
Scherzo | Felix Mendelssohn, James Galway, Charles Gerhardt, National Philharmonic Orchestra | C Minor | 3 | 5A | 136 BPM | ||
Beauty and the Beast - From "Beauty and the Beast" | Lang Lang, Royal Philharmonic Orchestra, Robert Ziegler | B♭ Major | 8 | 6B | 140 BPM | ||
Suite for Strings after 12 Violin Sonatas, Op. 5: II. Giga. Allegro | Arcangelo Corelli, Eugene Ormandy, Philadelphia Orchestra | A Major | 2 | 11B | 89 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM |