Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, Mike Fentross, Pieter-Jan Belder made "Sonata No. 12 in D Major, Op. 1: II. Largo e puntato" available on 2010. With Sonata No. 12 in D Major, Op. 1: II. Largo e puntato being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 46 out of 336 in Corelli: Complete Edition by Arcangelo Corelli, Musica Amphion, Rémy Baudet, Pieter-Jan Belder. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Sonata No. 12 in D Major, Op. 1: II. Largo e puntato is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Sonata No. 12 in D Major, Op. 1: II. Largo e puntato by Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, Mike Fentross, Pieter-Jan Belder is Presto (very, very fast), since this song has a tempo of 178 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Klavierstück in F Major, K. 33b | Wolfgang Amadeus Mozart, Lang Lang | D Major | 1 | 10B | 140 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Symphony in D Major, F. 29: II. Andante grazioso | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 0 | 10B | 81 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Concerto grosso in C, Op. 6, No. 10 - Rev. by Vittorio Negri (1923 - ): 2. Allemanda (Allegro) | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Marijke Smit Sibinga, I Musici | B♭ Major | 1 | 6B | 60 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM |