Gérard Souzay's 'Faure: Au bord de l'eau' came out on 2005. The duration of Faure: Au bord de l'eau is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Faure: Au bord de l'eau's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gérard Souzay's "Mélodies Françaises Pour Bariton" album is number 24 out of 30. Faure: Au bord de l'eau is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Faure: Au bord de l'eau by Gérard Souzay to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon / Act 3: A quoi bon l'économie...Bonjour, Poussette! | Jules Massenet, Nico Castel, Michele Raynaud, Patricia Kern, Michel Trempont, Helia T'Hezan, Gérard Souzay, New Philharmonia Orchestra, Julius Rudel, Ambrosian Opera Chorus, John McCarthy | E♭ Major | 2 | 5B | 108 BPM | ||
Sainte | Maurice Ravel, Gérard Souzay, Dalton Baldwin | E♭ Minor | 0 | 2A | 143 BPM | ||
Poèmes pour Mi, Premier Livre: No. 1, Action de grâces | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | A Major | 2 | 11B | 80 BPM | ||
7 Canciones Populares Españolas: Seguidilla murciana | Teresa Berganza, Juan Antonio Alvares Parejo | F Major | 1 | 7B | 90 BPM | ||
Deux romances, L. 79: II. Les cloches | Claude Debussy, Gérard Souzay, Dalton Baldwin | C Major | 0 | 8B | 176 BPM | ||
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): I. Frühling | Richard Strauss, Asmik Grigorian, Markus Hinterhäuser | E♭ Major | 0 | 5B | 69 BPM | ||
La Rencontre imprévue: "C'est un torrent impétueux" | Christoph Willibald Gluck, Gérard Souzay, Paris Conservatoire Orchestra, Robert Corman | E♭ Major | 1 | 5B | 110 BPM | ||
Evening Songs, Op. 3: No. 3, Já jsem ten rytíř | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Minor | 1 | 4A | 83 BPM | ||
Mélodies: III. Avec toi | Francesco Paolo Tosti, Delphine Da Pontello, Marco Severin, Isabella Crisante | A Major | 1 | 11B | 65 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 1: "Täubchen, das entflattert ist" (Alfred, Adele, Rosalinde) | Johann Strauss II, Plácido Domingo, Eva Lind, Lucia Popp, Das Münchner Rundfunkorchester | G Major | 1 | 9B | 49 BPM |