"Trio Sonata for 2 Oboes and Continuo in F, Op. 5, No. 6, HWV 401: 2. Allegro - Adagio" by George Frideric Handel, Neil Black, Celia Nicklin, George Malcolm, Graham Sheen, Academy of St. Martin in the Fields was released on January 1, 2002. The duration of Trio Sonata for 2 Oboes and Continuo in F, Op. 5, No. 6, HWV 401: 2. Allegro - Adagio is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Trio Sonata for 2 Oboes and Continuo in F, Op. 5, No. 6, HWV 401: 2. Allegro - Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Academy Chamber Ensemble's "Handel: Complete Chamber Music" album is number 2 out of 186. On top of that, Netherlands appears to be the country where this track was created. Trio Sonata for 2 Oboes and Continuo in F, Op. 5, No. 6, HWV 401: 2. Allegro - Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trio Sonata for 2 Oboes and Continuo in F, Op. 5, No. 6, HWV 401: 2. Allegro - Adagio by George Frideric Handel, Neil Black, Celia Nicklin, George Malcolm, Graham Sheen, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Cello Concerto in C, H.VIIb, No.1: 2. Adagio | Joseph Haydn, Jian Wang, The Gulbenkian Orchestra, Muhai Tang | F Major | 1 | 7B | 96 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Ode for the Birthday of Queen Anne, Hwv 74, "eternal Source of Light Divine": Eternal Source of Light Divine | George Frideric Handel, Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam | D♭ Major | 1 | 3B | 67 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM |