"Missa L'homme armé: I. Kyrie" by Antoine Busnois, The Binchois Consort, Andrew Kirkman was released on October 1, 2002. The duration of Missa L'homme armé: I. Kyrie is about 3 minutes long, at 3:08. Based on our data, "Missa L'homme armé: I. Kyrie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 15 in Busnois: Missa L'homme armé – Domarto: Missa Spiritus almus – Pullois: Flos de spina by The Binchois Consort, Antoine Busnois, Andrew Kirkman, Petrus de Domarto, Johannes Pullois. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Missa L'homme armé: I. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa L'homme armé: I. Kyrie by Antoine Busnois, The Binchois Consort, Andrew Kirkman is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tant que vivrai | Claudin de Sermisy, Scholars of London | F Major | 1 | 7B | 72 BPM | ||
Qual Lege Move | Bartolino da Padova, Ensemble Syntagma, Alexandre Danilevski | E Major | 1 | 12B | 141 BPM | ||
Sanctus | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | D Major | 1 | 10B | 130 BPM | ||
Recercada Passamezzo | Diego Ortiz, Capella De La Torre, Katharina Bauml | C Major | 2 | 8B | 116 BPM | ||
Cantiga No. 10, "Rosa das rosas": Instrumental (CSM 259) | Alfonso X El Sabio, Unicorn Ensemble | F Major | 1 | 7B | 119 BPM | ||
Branles de village | Robert Ballard, Massimo Marchese | C Major | 1 | 8B | 94 BPM | ||
Ave verum corpus | William Byrd, Voices of Ascension Chorus, Dennis Keene | G Minor | 1 | 6A | 63 BPM | ||
Lectio I | Hildegard von Bingen, La Reverdie | E♭ Major | 0 | 5B | 68 BPM | ||
O pastor animarum | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | B♭ Major | 0 | 6B | 112 BPM | ||
Isorhythmic Motets: Nuper rosarum flores | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 1 | 7A | 136 BPM |