Conlon Nancarrow, Bang On A Can All-Stars, Ashley Bathgate, Robert Black, Vicky Chow, David Cossin, Mark Stewart, Evan Ziporyn made "Studies for Player Piano (Excerpts Arr. E. Ziporyn): No. 3c, — "Boogie-Woogie Suite"" available on February 28, 2012. The duration of Studies for Player Piano (Excerpts Arr. E. Ziporyn): No. 3c, — "Boogie-Woogie Suite" is about 3 minutes long, at 3:22. Based on our data, "Studies for Player Piano (Excerpts Arr. E. Ziporyn): No. 3c, — "Boogie-Woogie Suite"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 18 in Big Beautiful Dark and Scary by Bang On A Can All-Stars, Ashley Bathgate, Mark Stewart, Evan Ziporyn. Studies for Player Piano (Excerpts Arr. E. Ziporyn): No. 3c, — "Boogie-Woogie Suite" is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Studies for Player Piano (Excerpts Arr. E. Ziporyn): No. 3c, — "Boogie-Woogie Suite" by Conlon Nancarrow, Bang On A Can All-Stars, Ashley Bathgate, Robert Black, Vicky Chow, David Cossin, Mark Stewart, Evan Ziporyn is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bending the bars | Upside Down Upright Bass | A Minor | 0 | 8A | 130 BPM | ||
In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
Study 8 (Stavanger) | Conlon Nancarrow, Øyvind Brandtsegg | A Minor | 3 | 8A | 66 BPM | ||
Music for 18 Musicians: Section II | Steve Reich, Colin Currie, Colin Currie Group, Synergy Vocals | A Major | 2 | 11B | 100 BPM | ||
Concerto for Saxophone - Quartet: Movevement III | Philip Glass, The Raschèr Saxophone Quartet, Andrew Sterman, Jon Gibson, Richard Peck | F Major | 1 | 7B | 72 BPM | ||
Studies 1-12: Study 10 | Conlon Nancarrow, Bösendorfer Grand Piano | C Major | 2 | 8B | 107 BPM | ||
The Tides of Manaunaun - 1912 | Henry Cowell, Floraleda Sacchi | D♭ Major | 0 | 3B | 91 BPM | ||
Studies 1-12: Study 11 | Conlon Nancarrow, Bösendorfer Grand Piano | F Major | 3 | 7B | 110 BPM | ||
A. Scotto: Emma at the park | Aurelio Scotto, ReWind Quintet | G Major | 1 | 9B | 87 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM |