Octet in E-Flat, Op. 20: II. Andante - Felix Mendelssohn, James Ehnes, Erin Keefe, Andrew Wan, Augustin Hadelich, Cynthia Phelps, Richard O'Neill, Robert DeMaine, Edward Arron, Vladimir Ashkenazy 情報

音響性: 92%
ダンサビリティ: 24%
エネルギー: 4%
手段性: 8%
活気: 11%
ラウドネス: 56%
話し言葉: 5%
価数: 12%
人気: 9%
ラウドネス: -26.455 dB

まとめ

"Octet in E-Flat, Op. 20: II. Andante" by Felix Mendelssohn, James Ehnes, Erin Keefe, Andrew Wan, Augustin Hadelich, Cynthia Phelps, Richard O'Neill, Robert DeMaine, Edward Arron, Vladimir Ashkenazy was released on November 1, 2010. Since Octet in E-Flat, Op. 20: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, James Ehnes, Philharmonia Orchestra, Vladimir Ashkenazy's "Mendelssohn: Violin Concerto & Octet in E-Flat" album is number 5 out of 7. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Octet in E-Flat, Op. 20: II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Octet in E-Flat, Op. 20: II. Andante テンポ

We consider the tempo marking of Octet in E-Flat, Op. 20: II. Andante by Felix Mendelssohn, James Ehnes, Erin Keefe, Andrew Wan, Augustin Hadelich, Cynthia Phelps, Richard O'Neill, Robert DeMaine, Edward Arron, Vladimir Ashkenazy to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Octet in E-Flat, Op. 20: II. Andante キー

F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

おすすめの曲

Track	Artist	Key	Energy	Camelot	BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM
Lieder ohne Worte, Op. 67: No. 4 Presto "Spinning Song"	Lang Lang	C Major	4	8B	173 BPM
Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo (Vivace)	Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra	B♭ Major	2	6B	82 BPM
Violin Concerto No. 2 in G Minor, Op.63: II. Andante assai - Allegretto	Sergei Prokofiev, Itzhak Perlman, Gennady Rozhdestvensky, BBC Symphony Orchestra, Nickolas Ashford	A♭ Major	5	4B	120 BPM
Octet in E Flat Major, Op. 20, MWV R20 - Arr. for Four Parts: Scherzo (A)	Felix Mendelssohn, Emerson String Quartet	B♭ Minor	0	3A	103 BPM
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento	Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	C Major	0	8B	72 BPM
Violin Concerto No. 2 in C Major, Op. 58: I. Allegro moderato e maestoso	Camille Saint-Saëns, Andrew Wan, Kent Nagano, Orchestre Symphonique de Montréal	C Major	1	8B	80 BPM
String Quartet No. 5 in E-Flat Major, Op. 44, No. 3, MWV R28: II. Scherzo: Assai leggiero vivace	Felix Mendelssohn, New Zealand String Quartet	C Major	0	8B	150 BPM
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre	François Couperin, Iddo Bar-Shaï	C Major	3	8B	145 BPM
String Quartet No. 1 in E Minor, JB 1:105: III. Largo sostenuto	Bedřich Smetana, Pavel Haas Quartet	A♭ Major	0	4B	169 BPM

ISRC: GBPCP1000146
レコードレーベル: L-M Records/RCA Records