Milan Horvat, Vienna Radio Symphony Orchestra's ' "Slavonic Dance Op. 46 / 1 in C major, Presto "Furiant"" was released on its scheduled release date, February 7, 2006. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Slavonic Dance Op. 46 / 1 in C major, Presto "Furiant" only contains only one song in the album, we like to consider this song as a single. In terms of popularity, Slavonic Dance Op. 46 / 1 in C major, Presto "Furiant" is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Slavonic Dance Op. 46 / 1 in C major, Presto "Furiant" by Milan Horvat, Vienna Radio Symphony Orchestra having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Dance of the Blessed Spirits | Christoph Willibald Gluck, Helmut Rucker, Dresdner Philharmonie, Herbert Kegel | B♭ Major | 1 | 6B | 82 BPM | ||
Egmont, Op. 84: Entr'acte No. 4: Larghetto | Ludwig van Beethoven, Maria Bengtsson, Tobias Moretti, Vienna Radio Symphony Orchestra, Bertrand de Billy | F♯ Major | 2 | 2B | 71 BPM | ||
Serenade in G, Eine Kleine Nachtmusik, K 525: Allegro | English Brass Ensemble | B♭ Major | 2 | 6B | 143 BPM | ||
Boulevard of broken dreams | Al Dubin, Marianne Faithfull, Vienna Radio Symphony Orchestra | A♭ Major | 4 | 4B | 137 BPM | ||
Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | ||
Opera 28 n. 15: Preludio | Maurizio Mastrini | D♭ Major | 0 | 3B | 72 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Symphonie Fantastique - March To The Scaffold | Paris France Royal Philharmonic Orchestra | G Minor | 3 | 6A | 79 BPM | ||
Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Op. 325 (RV 325) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | B♭ Major | 1 | 6B | 176 BPM | ||
Piano Sonata No. 2 in B Minor, Op. 35: I. Grave | Vitalij Margulis | B♭ Minor | 3 | 3A | 61 BPM |