Georges Delerue's 'Charlie et Léna - From "Tirez sur le pianiste"' came out on July 15, 2013. With Charlie et Léna - From "Tirez sur le pianiste" being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Georges Delerue's "Jules et Jim (Bande originale du film de François Truffaut)" album is number 6 out of 20. On top of that, France appears to be the country where this track was created. Charlie et Léna - From "Tirez sur le pianiste" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Charlie et Léna - From "Tirez sur le pianiste" by Georges Delerue to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Waltzer (Abschied) | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 0 | 5A | 168 BPM | ||
Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana) | Pietro Mascagni, Luciano Pavarotti, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 1 | 7B | 168 BPM | ||
Beethoven: Epilogue ( Beethoven Piano Concerto no 5 "Emperor" -II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
Nyman: The Heart Asks Pleasure First | Michael Nyman, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | A Minor | 1 | 8A | 108 BPM | ||
La Traviata: Noi Siamo Zingarelle | Vienna State Opera Chorus, Vienna Volksoper Orchestra | C Major | 2 | 8B | 121 BPM | ||
Jour de fete (from "Jour de fete") | Jean Yatove | G Major | 1 | 9B | 180 BPM | ||
Gino et Lucy - From Deux hommes dans la ville | Philippe Sarde | E Minor | 1 | 9A | 82 BPM | ||
Negresco's Waltz | Georges Delerue | C Major | 3 | 8B | 101 BPM | ||
Vivaldi: Filiae maestae Jerusalem, RV 638: II. Sileant Zephyri | Antonio Vivaldi, Philippe Jaroussky | F Minor | 0 | 4A | 138 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Poco adagio | Antonín Dvořák, Gautier Capuçon, Johanna Malangré, Orchestre national de Bretagne | C Minor | 2 | 5A | 128 BPM |