Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Emőke Baráth, Silke Gäng, Delphine Galou's 'Il Giustino, RV 717, Act II, Scene 4: Ma quale orrendo e formidabil mostro colà estinto rimiro? (Arianna, Anastasio, Giustino)' came out on November 16, 2018. With Il Giustino, RV 717, Act II, Scene 4: Ma quale orrendo e formidabil mostro colà estinto rimiro? (Arianna, Anastasio, Giustino) being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Il Giustino by Antonio Vivaldi, Ottavio Dantone, Accademia Bizantina, Delphine Galou. The song's track number on the album is #8 out of 97 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Il Giustino, RV 717, Act II, Scene 4: Ma quale orrendo e formidabil mostro colà estinto rimiro? (Arianna, Anastasio, Giustino) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Il Giustino, RV 717, Act II, Scene 4: Ma quale orrendo e formidabil mostro colà estinto rimiro? (Arianna, Anastasio, Giustino) by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Emőke Baráth, Silke Gäng, Delphine Galou has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Il Giustino, RV 717, Act II, Scene 4: Ma quale orrendo e formidabil mostro colà estinto rimiro? (Arianna, Anastasio, Giustino) being at 95 テンポ, the half-time would be 48 テンポ with a double-time of 190 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest": 3. Allegretto - Live | Ludwig van Beethoven, András Schiff | G Minor | 1 | 6A | 137 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin | Jean-Philippe Rameau, Christian-Pierre La Marca | F♯ Minor | 3 | 11A | 85 BPM | ||
Concerto grosso in A Major, Op. 3/5, RV. 519: II. Largo | Antonio Vivaldi, Simon Standage, Miles Golding, The English Concert, Trevor Pinnock | B Minor | 4 | 10A | 119 BPM | ||
Concerto Grosso No. 8 in G Minor, Op. 6, "Christmas Concerto": Allegro | Arcangelo Corelli, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 73 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Concerto for Oboe and Bassoon in G Major, RV 545: I. Andante molto | Antonio Vivaldi, Christopher Hooker, Joanna Graham, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
Concerto Per Due Violini, Archi E Cembalo B Flat Major RV 524: Allegro | I Musici Di San Marco, Alberto Lizzio | A Major | 1 | 11B | 92 BPM | ||
Album for the Young, Op. 39: No. 3. Mamma (Maman) | Pyotr Ilyich Tchaikovsky, Carol Rosenberger | G Major | 0 | 9B | 87 BPM | ||
Concerto for 2 Flutes in C Major, RV 533: II. Largo | Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM |