"Triple Concerto in C Major, Op. 56: II. Largo - - Excerpt" by Ludwig van Beethoven, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor, Philharmonia Orchestra, Santtu-Matias Rouvali was released on April 5, 2024. With this song being about 5 minutes long, at 4:39, "Triple Concerto in C Major, Op. 56: II. Largo - - Excerpt" by Ludwig van Beethoven, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor, Philharmonia Orchestra, Santtu-Matias Rouvali is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Beethoven: Triple Concerto in C Major, Op. 56: II. Largo - (Excerpt) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Triple Concerto in C Major, Op. 56: II. Largo - - Excerpt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Triple Concerto in C Major, Op. 56: II. Largo - - Excerpt by Ludwig van Beethoven, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor, Philharmonia Orchestra, Santtu-Matias Rouvali is Larghetto (rather broadly), since this song has a tempo of 65 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blue/s Forms: I. Plain Blue/s | Coleridge-Taylor Perkinson, Randall Goosby | F Major | 1 | 7B | 124 BPM | ||
Violin Concerto in B-Flat Major, RV 583: II. Andante | Antonio Vivaldi, Nicola Benedetti, Benedetti Baroque Orchestra | E Minor | 0 | 9A | 135 BPM | ||
30 Etudes, Op. 26: No. 10 in F-Sharp Minor. Adagio | Louise Farrenc, Lang Lang | A Minor | 1 | 8A | 126 BPM | ||
Notturno in F major Op.6 No.2: Notturno in F major Op.6 No.2 | Clara Schumann, William Howard | F Major | 0 | 7B | 71 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
V. Improvisation | Gabriel Fauré, Lucas Debargue | C Major | 2 | 8B | 83 BPM | ||
Gopak from Sorochinsky Fair | Modest Mussorgsky, Philharmonia Orchestra, Geoffrey Simon | G Major | 2 | 9B | 157 BPM | ||
Postlude | Brad Mehldau | F♯ Major | 0 | 2B | 71 BPM | ||
Pride and Prejudice Suite: II. Canon Collins and Lady Catherine de Bourgh | Carl Davis, Philharmonia Orchestra | C Minor | 1 | 5A | 68 BPM | ||
Sospiri, Op. 70 (Arr. Violin and Piano) | Edward Elgar, Nicola Benedetti, Petr Limonov | D Minor | 0 | 7A | 93 BPM |