Gustavo Santaolalla, Aquarelle Guitar Quartet's 'The Motorcycle Diaries: De Usuahia a la Quiaca (Arr. for Guitar Quartet)' came out on June 1, 2012. The duration of The Motorcycle Diaries: De Usuahia a la Quiaca (Arr. for Guitar Quartet) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. The Motorcycle Diaries: De Usuahia a la Quiaca (Arr. for Guitar Quartet)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 19 in Final Cut - Film Music for Four Guitars by Aquarelle Guitar Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Motorcycle Diaries: De Usuahia a la Quiaca (Arr. for Guitar Quartet) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Motorcycle Diaries: De Usuahia a la Quiaca (Arr. for Guitar Quartet) by Gustavo Santaolalla, Aquarelle Guitar Quartet is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Un air de liberté | Khaled Mouzanar | C Minor | 3 | 5A | 110 BPM | ||
De Ushuaia a la Quiaca | Gustavo Santaolalla | C Major | 2 | 8B | 160 BPM | ||
Vamos | Gustavo Santaolalla | B♭ Minor | 4 | 3A | 110 BPM | ||
3 Gnossiennes: Gnossienne No. 1 (arr. N. Gotz for clarinet and piano): Gnossiene No. 1 (arr. for clarinet and piano) | Nandor Gotz, Erik Satie, Balazs Szokolay | F Minor | 0 | 4A | 109 BPM | ||
Dilek | Erkan Oğur, Derya Türkan, İlkin Deniz | D Minor | 1 | 7A | 78 BPM | ||
Do We Lose 21 Grams? | Gustavo Santaolalla | F♯ Minor | 0 | 11A | 215 BPM | ||
Vivaldi İstanbul'da | Can Atilla | D Minor | 4 | 7A | 91 BPM | ||
One Moment of Silence | Arto Tunçboyacıyan | B♭ Minor | 1 | 3A | 67 BPM | ||
Vague / E la nave va | Anouar Brahem | C Minor | 1 | 5A | 186 BPM | ||
18 Mayıs | Mercan Dede, Hugh Marsh, Burak Malçok | D Major | 2 | 10B | 80 BPM |