"Molly's Song 3 "Shades of Crimson"" by Stefan Asbury, Ensemble Musikfabrik was released on November 1, 1995. Since Molly's Song 3 "Shades of Crimson" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Rebecca Saunders: Quartet, Into the Blue, Molly's Song 3 & Dichroic Seventeen". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Austria. Based on our statistics, Molly's Song 3 "Shades of Crimson"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Molly's Song 3 "Shades of Crimson" by Stefan Asbury, Ensemble Musikfabrik having a テンポ of 127 with a half-time of 64 テンポ and a double-time of 254 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons: 5. Prelude III | John Cage, Herbert Henck | D Minor | 0 | 7A | 69 BPM | ||
Double Concerto for Violin, Piano, and String Orchestra with Percussion: II. Misterioso | Tan Dun, Daniel Hope, Alexey Botvinov, New Century Chamber Orchestra | E Minor | 3 | 9A | 105 BPM | ||
Reflections on the Nature of Water: IV. Gently swelling | Jacob Druckman, Group for Contemporary Music | C Minor | 0 | 5A | 157 BPM | ||
20 Regards sur l'enfant-Jésus: I. Regard du Pere | Olivier Messiaen, Håkon Austbø | F♯ Major | 0 | 2B | 57 BPM | ||
Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
Hommage à J.S.B.: II. Andantino | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
Ravel: Miroirs, M. 43: II. Oiseaux tristes | Maurice Ravel, Bertrand Chamayou | B Major | 0 | 1B | 69 BPM | ||
Cantata para America magica , Op. 27: VI. Canto de la profecia | Alberto Ginastera, Rayanne Dupuis, Bugallo-Williams piano duo, Ensemble S, Percussion Ensemble of Cologne Conservatory, Cologne West German Radio Symphony Orchestra, Stefan Asbury | D♭ Major | 2 | 3B | 126 BPM | ||
Sonatas and Interludes for Prepared Piano: Sonata No. 4 | John Cage, Boris Berman | G Minor | 3 | 6A | 68 BPM | ||
The Protecting Veil: The Nativity of the Mother of God | John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra | F♯ Minor | 0 | 11A | 101 BPM |