Sofia Philharmonic Orchestra, Bulgarian Choir Cappella's 'Carmina Burana: in Taberna Quando Sumus' came out on January 1, 2003. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 25 in Carl Orff: Carmina Burana by Sofia Philharmonic Orchestra. Carmina Burana: in Taberna Quando Sumus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmina Burana: in Taberna Quando Sumus by Sofia Philharmonic Orchestra, Bulgarian Choir Cappella is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto N°21 "Elvira Madigan" in C major, K 467: II. Andante | The London Symphony Orchestra - Philip Fowke | F Major | 1 | 7B | 178 BPM | ||
Strauss: Radetzky March, Op. 228 | Johann Strauss I, Hallé, Bramwell Tovey | A Major | 4 | 11B | 122 BPM | ||
Symphony No. 5 in C minor Op. 67: I. Allegro con brio | Sir Roger Norrington, London Classical Players | C Minor | 2 | 5A | 107 BPM | ||
Concert for Piano and Orchestra in G Major, Hob. XVIII/4: 2. Adagio cantabile | Sofia Philharmonic Orchestra | C Major | 1 | 8B | 81 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Prima Materia: I. Nigredo | Alexandros Mouzas, Sofia Philharmonic Orchestra, Miltos Logiadis | C Minor | 2 | 5A | 115 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Concerto Per Due Violini, Archi E Cembalo B Flat Major RV 524: Allegro | I Musici Di San Marco, Alberto Lizzio | A Major | 1 | 11B | 164 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Il Lado Dei Cigni, Suite dal Balletto Op.20 | Armonie Symphony Orchestra | A Major | 1 | 11B | 116 BPM |