"Quatre Poèmes Hindous: 1. Une Belle (Madras)" by Maurice Charles Delage, Dame Janet Baker, Melos Ensemble, Bernard Keeffe was released on January 1, 1994. The duration of Quatre Poèmes Hindous: 1. Une Belle (Madras) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Quatre Poèmes Hindous: 1. Une Belle (Madras)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 16 in Bach/Purcell/Rameau/Cavalli/Ravel/Chausson - Janet Baker by Dame Janet Baker. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Quatre Poèmes Hindous: 1. Une Belle (Madras) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quatre Poèmes Hindous: 1. Une Belle (Madras) by Maurice Charles Delage, Dame Janet Baker, Melos Ensemble, Bernard Keeffe is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Lieder, Op. 2: No. 1, Erwartung | Arnold Schoenberg, Claire Booth, Christopher Glynn | D Major | 0 | 10B | 66 BPM | ||
Études Latines: "Tyndaris" | Reynaldo Hahn, Susan Graham | A♭ Major | 0 | 4B | 106 BPM | ||
Les nuits d'été, H 81: No. 2, Le spectre de la rose | Hector Berlioz, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VI. Allegro un poco agitato "Stricke des Todes hatten uns umfangen" | Felix Mendelssohn, Werner Güra, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | C Major | 1 | 8B | 104 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Komm! hebe dich zu höhern Sphären | Gustav Mahler, Erin Morley, Los Angeles Philharmonic, Gustavo Dudamel | B♭ Major | 1 | 6B | 86 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 1, Frühling | Richard Strauss, Wolfgang Sawallisch, Barbara Hendricks, Philadelphia Orchestra | C Major | 1 | 8B | 132 BPM | ||
La niña abandonada: La niña abandonada | Emilio Arrieta, Sabina Puértolas, Rubén Fernández Aguirre | E Major | 3 | 12B | 82 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: I see not those false spirits | Sir Edward Elgar, Paul Groves, Alice Coote, Sir Mark Elder, Hallé | E♭ Minor | 0 | 2A | 93 BPM | ||
Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
Puts: The Hours, Act 1: "Richmond… She Opens the Curtains" (Virginia, Chorus, Man Under the Arch) [Live] | Kevin Puts, Yannick Nézet-Séguin, John Holiday, Joyce DiDonato, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM |