Ruperto Chapí, Joaquín Malats, Federico Moreno Torroba, Eduardo Lopez Juarranz, Francisco Asenjo Barbieri, Federico Chueca, Cleto Zabala, Orquesta Zarzuela De Madrid's 'Ole! Ole!: Los Vareadores' came out on January 1, 2000. The duration of Ole! Ole!: Los Vareadores is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Ole! Ole!: Los Vareadores's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Ole Ole". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Ole! Ole!: Los Vareadores is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ole! Ole!: Los Vareadores by Ruperto Chapí, Joaquín Malats, Federico Moreno Torroba, Eduardo Lopez Juarranz, Francisco Asenjo Barbieri, Federico Chueca, Cleto Zabala, Orquesta Zarzuela De Madrid having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chinochilla de Mi Charnique (Duo Comico) | Anselmo Carreno, Pablo Solozabal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Pablo Sorozábal, Orquesta de Conciertos de Madrid | G Major | 5 | 9B | 122 BPM | ||
Doña Francisquita: Fandango | Amadeo Vives, Lucero Tena, Orquesta de Conciertos de Madrid | D Minor | 9 | 7A | 178 BPM | ||
Offenbach: La vie parisienne, Act 4: Finale. "Par nos chansons et par nos cris, célébrons Paris" (Chœur, Gabrielle, Le Baron, La Baronne, Bobinet, Gardefeu, Le Brésilien, Urbain, Métella) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Jarry, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | G Major | 4 | 9B | 88 BPM | ||
Gounod : Faust : Act 1 "Rien!...En vain j'interroge" [Faust] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | C Major | 0 | 8B | 130 BPM | ||
Katiuska - Noche hermosa | Pablo Sorozábal | G Major | 3 | 9B | 85 BPM | ||
Lehár: Giuditta: "In einem Meer von Liebe" (Giuditta, Chor) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Ambrosian Opera Chorus | E Major | 3 | 12B | 118 BPM | ||
Gigantes y Cabezudos | Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría | E Major | 4 | 12B | 111 BPM | ||
La Bruja: "Todo Está Igual, Parece Que Fue Ayer" | Ramos Carrion, Ruperto Chapí, Orquesta Sinfonica | E♭ Major | 3 | 5B | 167 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Donizetti: Lucia di Lammermoor: Prelude | Gaetano Donizetti, Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Orchestra del Maggio Musicale Fiorentino, Tulio Serafin | D Major | 1 | 10B | 169 BPM |