Jennifer Higdon, Gary Graffman, The Lark Quartet's 'Scenes from the Poet's Dreams: No. 1, Racing Through Stars' came out on February 12, 2013. The duration of Scenes from the Poet's Dreams: No. 1, Racing Through Stars is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Scenes from the Poet's Dreams: No. 1, Racing Through Stars's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 8 in An Exaltation of Larks by Jennifer Higdon, The Lark Quartet. Scenes from the Poet's Dreams: No. 1, Racing Through Stars is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Scenes from the Poet's Dreams: No. 1, Racing Through Stars by Jennifer Higdon, Gary Graffman, The Lark Quartet is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tabula rasa: I. Ludum | Arvo Pärt, Amsterdam Sinfonietta, Candida Thompson, Simone Lamsma | A Minor | 2 | 8A | 121 BPM | ||
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": I. Adagio. Con moto | Leoš Janáček, Melos Quartet | E Major | 1 | 12B | 81 BPM | ||
Suite for Violin & Piano: No. 2, Mother & Child | William Grant Still, Rachel Barton Pine, Matthew Hagle | D♭ Minor | 1 | 12A | 81 BPM | ||
When I See You | Jan Vinci, Hugh Sung, Jennifer Higdon | A Minor | 0 | 8A | 82 BPM | ||
Cold Mountain, Act II: Act II Scene 12: Tell her (Chorus, Inman, Ada, Veasey, Chain Gang, Lila, Olivia, Claire, Katie, Sara, Soldiers, Ruby, Reid, Ruby, Birch) | Jennifer Higdon, Basler Chelsea, Bridgette Gan, Heather Phillips, Shabnam Kalbasi, Emily Fons, Megan Marino, Isabel Leonard, Roy Hage, Roger Honeywell, Anthony Michaels-Moore, Nathan Gunn, Robert Pomakov, Nicholas Ottersberg, Santa Fe Opera Chorus, Santa Fe Opera Orchestra, Miguel Harth-Bedoya | C Major | 1 | 8B | 148 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 1. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 113 BPM | ||
4 Pieces, Op. 51 (arr. Rogal-Levitsky): Fragilite, Op. 51, No. 1 | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 77 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Contact: III. Contact | Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang | G Major | 6 | 9B | 146 BPM | ||
Momentum | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 2 | 10B | 137 BPM |