Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset made "Pyrrhus, Acte IV Scène 7: Deuxième air pour les nymphes" available on May 5, 2023. With Pyrrhus, Acte IV Scène 7: Deuxième air pour les nymphes being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Pancrace Royer: Surprising Royer, Orchestral Suites". In this album, this song's track order is #39. Furthermore, we believe that the track originated from France. The popularity of Pyrrhus, Acte IV Scène 7: Deuxième air pour les nymphes is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Pyrrhus, Acte IV Scène 7: Deuxième air pour les nymphes by Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset having a テンポ of 176 with a half-time of 88 テンポ and a double-time of 352 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto pour 2 violons, cordes et basse continue in G Minor, RV 517: III. Allegro | Antonio Vivaldi, Gwennaëlle Alibert, Clément Geoffroy | F♯ Minor | 5 | 11A | 150 BPM | ||
Symphony in E-Flat Major, W. I/10: II. Andante assai | Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | C Minor | 1 | 5A | 171 BPM | ||
Sonata in B minor, Op.4, No.12: 3. Giga (Allegro) | Arcangelo Corelli, Monica Huggett, Alison Bury, Hopkinson Smith, Ton Koopman, Jaap Ter Linden | B♭ Minor | 1 | 3A | 133 BPM | ||
Concerto for violoncello piccolo in G Major, RV. 414: II. Largo | Antonio Vivaldi, Ophélie Gaillard, Pulcinella Orchestra | E♭ Minor | 2 | 2A | 99 BPM | ||
La Folia - Arranged for Cello and Accordeon | Marin Marais, Mario Brunello, Ivano Battiston | C Major | 0 | 8B | 141 BPM | ||
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: I. Moderato | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | E Minor | 1 | 9A | 134 BPM | ||
Concerto in D Minor, for Two Violas da Gamba - "Tango": I. Allegro ostinato | René Duchiffre, Apollo's Fire, Jeannette Sorrel | D♭ Minor | 2 | 12A | 81 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Pyrrhus, Acte III Scène 1: Ritournelle | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 6 in D minor, BWV 851 | Luc Beauséjour | D♭ Minor | 5 | 12A | 125 BPM |