Maike Boerdam, La Capella Reial De Catalunya, Hespèrion XXI made "Gesproken tekst LXVI (23): "Betrekkingen van de christelijke godsdienst met de Zotheid" / Muziek: Patres nostri peccaverunt (C. M. Montecassino No. 2)" available on 2012. The duration of Gesproken tekst LXVI (23): "Betrekkingen van de christelijke godsdienst met de Zotheid" / Muziek: Patres nostri peccaverunt (C. M. Montecassino No. 2) is about 3 minutes long, at 3:20. Based on our data, "Gesproken tekst LXVI (23): "Betrekkingen van de christelijke godsdienst met de Zotheid" / Muziek: Patres nostri peccaverunt (C. M. Montecassino No. 2)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 35 out of 91 in Erasmus - Lof der zotheid (Nederlandse versie) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. Gesproken tekst LXVI (23): "Betrekkingen van de christelijke godsdienst met de Zotheid" / Muziek: Patres nostri peccaverunt (C. M. Montecassino No. 2) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Gesproken tekst LXVI (23): "Betrekkingen van de christelijke godsdienst met de Zotheid" / Muziek: Patres nostri peccaverunt (C. M. Montecassino No. 2) by Maike Boerdam, La Capella Reial De Catalunya, Hespèrion XXI is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brando dicho el Melo | Andrea Falconieri, La Ritirata, Josetxu Obregon | C Major | 6 | 8B | 70 BPM | ||
Dances: Galliard [32] | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | E♭ Major | 0 | 5B | 121 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Ut te quaeram mente pura" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Gesproken tekst XXV (16): "Over de minderwaardigheid der wijsheid in alle omstandigheden van het leven" / Muziek: Vederlo (Improvisatie) | La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Rolf Lislevand, Thor-Harald Johnsen | D Minor | 2 | 7A | 118 BPM | ||
Te deum, LWV 55: VIII. Te ergo quaesumus | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Lachrimae or Seven Tears: VIII. Mr Nicholas Gryffith his Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Gather Ye Rosebuds | William Lawes, Sylvain Bergeron, Suzie LeBlanc, Les Voix Humaines | A♭ Minor | 1 | 1A | 141 BPM | ||
Hoofdstuk 1 - Een dief in de nacht - De Waal & Baantjer, deel 3 | Simon de Waal, Baantjer, Sander de Heer | B♭ Major | 2 | 6B | 86 BPM | ||
Chapter 35.4 & Chapter 36.1 - De Hongerspelen | Suzanne Collins | B Major | 3 | 1B | 86 BPM | ||
Chapter 66.3 & Chapter 67.1 - De Hongerspelen | Suzanne Collins | F♯ Major | 3 | 2B | 141 BPM |